In the 1940s, folks at bars and restaurants would gather around a Panoram movie machine to watch three-minute films called Soundies, precursors to today's music videos. This history was all but forgotten until the digital era brought Soundies to phones and computer screens—including a YouTube clip starring a 102-year-old Harlem dancer watching her younger self perform in Soundies. In Soundies and the Changing Image of Black Americans on Screen: One Dime at a Time, Susan Delson takes a deeper look at these fascinating films by focusing on the role of Black performers in this little-known genre. She highlights the women performers, like Dorothy Dandridge, who helped shape Soundies, while offering an intimate look at icons of the age, such as Duke Ellington and Nat King Cole. Using previously unknown archival materials—including letters, corporate memos, and courtroom testimony—to trace the precarious path of Soundies, Delson presents an incisive pop-culture snapshot of race relations during and just after World War II. Perfect for readers interested in film, American history, the World War II era, and Black entertainment history, Soundies and the Changing Image of Black Americans on Screen and its companion video website (susandelson.com) bring the important contributions of these Black artists into the spotlight once again.
In Soundies and the Changing Image of Black Americans on Screen: One Dime at a Time, Susan Delson takes a deeper look at these fascinating films by focusing on the role of Black performers in this little-known genre.
... The Mexican Muralists, 206. 13. From "America Tropical," undated manuscript by David Alfaro Siqueiros, cited in Hurlburt, The Mexican Muralists, 205. 14. As attested by Arthur Millier and artists Merrell Gage 214 Notes to Chapter 7.
As it examines such a wide range of films over much of the twentieth century, this book offers a unique map of Black representations in film.
'Watching Jazz' is a systematic study of jazz on screen media, covering its role across a plethora of technologies from film and television to recent developments in online media and featuring the music of such legends as Duke Ellington, ...
Hattie told her audiences, “It's not how much can I spare; it's how much have I?” Hattie showed that she was really serious in her war effort when she “sacrificed” one of her most treasured possessions: her good luck rabbit's foot, ...
Women of Vision: Histories in Feminist Film and Video
Reflecting the continued proliferation of popular music studies, the new music industry in a digital age, and the emergence of new stars, this new edition has been reorganized and extensively updated throughout, making for a more coherent ...
See Peter Townsend, Pearl Harbor Jazz: Change in Popular Music in the Early 1940s (Jackson: University Press of Mississippi, 2007), 175. 28. Another comedic Soundie, Spike Jones and his City Slickers' Clink! Clink! Another Drink!
This text offers new ways of understanding dance on the popular screen in new scholarly arguments drawn from dance studies, performance studies, and film and media studies.
... 10, 86, 89, 90, 94, 100, 135 Vance, Philo 106–108, 110 Vickers, Martha 113 Volstead Act. See Prohibition Von Eltz, ... 34, 43–45, 63, 135 Siegel, Benjamin “Bugsy” 83, 102 The Silver Wedding 34, 59, 135 Simon, Robert F. 118 Smalley, ...