Artists, art historians, and critics look at the legacies of feminism and critical theory in the work of women artists, more than thirty years after the beginning of the modern women's movement and Linda Nochlin's landmark essay "Why Have There Been No Great Women Artists?"
More than thirty years after the birth of the modern women's movement and the beginnings of feminist art-making and art history, the time is ripe to examine the legacies of those revolutions. In Women Artists at the Millennium, artists, art historians, and critics examine the differences that feminist art practice and critical theory have made in late twentieth-century art and the discourses surrounding it. In 1971, when Linda Nochlin published her essay "Why Have There Been No Great Women Artists?" in a special issue of Art News, there were no women's studies, no feminist theory, no such thing as feminist art criticism; there was instead a focus on the mythic figure of the great (male) artist through history. Since then, the "woman artist" has not simply been assimilated into the canon of "greatness" but has expanded art-making into a multiplicity of practices with new parameters and perspectives. In Women Artists at the Millennium artists including Martha Rosler and Yvonne Rainer reflect upon their own varied practices and art historians discuss the innovative work of such figures as Louise Bourgeois, Lygia Clark, Mona Hatoum, and Carrie Mae Weems. And Linda Nochlin considers changes since her landmark essay and looks to the future, writing, "We will need all our wit and courage to make sure that women's voices are heard, their work seen and written about."
Artist Pages ByEllen Gallagher, Ann Hamilton, Mary Kelly, Yvonne Rainer, Martha Rosler
Contributing Writers: Emily Apter, Carol Armstrong, Catherine de Zegher, Maria DiBattista, Brigid Doherty, Briony Fer, Tamar Garb, Anne Higonnet, Ewa Lajer-Burcharth, Molly Nesbit, Mignon Nixon, Linda Nochlin, Griselda Pollock, Abigail Solomon-Godeau, Lisa Tickner, Anne Wagner
KARA WALKER American, born1969 Monographs and Solo Exhibition Catalogues Als, Hilton, and F. Calvo Serraller. Kara Walker: The Black Road. Malaga: CAC Centro de Contemporáneo, 2010. Pindell, Howardena. Kara Walker: Evasion, Denial, ...
The Reckoning: Women Artists of the New Millenium
Illinois Women Artists: The New Millennium showcases fifty pieces that celebrate the wit, conviction, and creativity of women artists in Illinois.
Taschen's inventive layout is effective in presenting the provocative works, words, and biographies of the nearly 100 women artists gathered here.
Cindy Sherman: Déjà vu. Dijon: Coin du miroir, 1983. BARR , CATHERINE, and LAURENCE CYROT , MARY. Cindy Sherman. Wellington, N.Z.: National Art Gallery, 1989. DÖTTINGER . Cindy Sherman: History Portraits: The Rebirth of the Painting ...
Her rich correspondences with poet Clayton Eshleman and filmmaker Stan Brakhage are evidence of remarkable , mutual artistic influence , admiration , and support , as well as struggle over aesthetic and personal principles .
International Women Artists: Entering the Second Millenium
... Dictionary of Sporting Artists , 1650–1990 , 3rd edition , 2 vols , Woodbridge , Suffolk : Antique Collectors ' Club , 1995 Witt Library , A Checklist of Painters , C.1200–1994 , Represented in the Witt Library , Courtauld Institute ...
The fiftieth anniversary edition of the essay that is now recognized as the first major work of feminist art theory—published together with author Linda Nochlin’s reflections three decades later.
... the Art Association of Montreal; the Art Gallery of Ontario, Toronto; with the Beaver Hall Group; ... Washington, D.C. (1930); “A Century of Canadian Art,” Tate Gallery, London, England (1938); the New York World's Fair (1939), ...