Images of environmental disaster and degradation have become part of our everyday media diet. This visual culture focusing on environmental deterioration represents a wider recognition of the political, economic, and cultural forces that are responsible for our ongoing environmental crisis. And yet efforts to raise awareness about environmental issues through digital and visual media are riddled with irony, because the resource extraction, manufacturing, transportation, and waste associated with digital devices contribute to environmental damage and climate change. Screen Ecologies examines the relationship of media, art, and climate change in the Asia-Pacific region -- a key site of both environmental degradation and the production and consumption of climate-aware screen art and media. Screen Ecologies shows how new media and visual artists provide alternative ways for understanding the entanglements of media and the environment in the Asia-Pacific. It investigates such topics as artists' exploration of alternative ways to represent the environment; regional stories of media innovation and climate change; the tensions between amateur and professional art; the emergence of biennials, triennials, and new arts organizations; the theme of water in regional art; new models for networked collaboration; and social media's move from private to public realms. A generous selection of illustrations shows a range of artist's projects.
"Screen Ecologies is a book which first existed as an orated text - something co-written by Emma Hicks and sophia bartholomew through the winter (Canada) summer (Australia) of 2016, and originally titled “Present, not present (or the ...
... Screen Ecologies, 49–50. 49. Heather Davis and Etienne Turpin, 'Art and Death: Lives between the Fifth Assessment ... Ecologies, 48. 54. Setu Legi, Tanah Air: Presentasi Tunggal oleh/Solo Presentation by Setu Legi (Yogyakarta: Ark ...
First, what is called attention economy might better be described as addiction ecology. Rather than simply grabbing our attention and blazing signs in our memories, the blinking stuff of screen ecologies is a matter of interferences and ...
Stedman, R. C. “Toward a Social Psychology of Place: Predicting Behavior from Place-Based Cognitions, Attitude, and Identity ... Stevens, W. K. Miracle under the Oaks: The Revival of Nature in America. ... Svendsen, E., and L. Campbell.
Thornber, Ecoambiguity, 1. Ibid., vii. Aldo Leopold addresses an earlier instance of this problem in “Outdoor Recreation, Latest Model,” which discusses the building of roads in nature parks for easy access by automobiles.
contemporary Chinese literary fiction, cinema, animation, and science fiction in Cambridge History of Science ... Her second book on Chinese science fiction in the 1980s—Chinese Science Fiction during the Post-Mao Cultural Thaw— is ...
In the hands of Romantic artists and writers such as Thomas Cole, Thomas Moran, Albert Bierstadt, Henry David Thoreau, and John Muir, such nature became “sublime,” tinged with the divine. To understand how our gaze changes a place, ...
Robert Wilson, “Imagining 'Asia-Pacific': Forgetting Politics and Colonialism in the Magical Waters of the Pacific. An Americanist Critique”, Cultural Studies 14, no. 3/4 (2000): 562–92 (565). 33. See Gardner and Green's chapter in this ...
Friedrich Kittler's groundbreaking Gramophone – Film – Typewriter still focused mainly on the impact of technological inventions, arguing that new technology invented in the nineteenth century, which had no immediate connection to ...
... screen ecologies in both Bristol and Cardiff. In contrast to several UK cities, for example, Glasgow or Newcastle, Bristol also lacks a strong, widely known and recognised identity that can imprint itself in public and political ...