The Game Boy Advance platform as computational system and cultural artifact, from its 2001 release through hacks, mods, emulations, homebrew afterlives. In 2002, Nintendo of America launched an international marketing campaign for the Game Boy Advance that revolved around the slogan “Who Are You?”—asking potential buyers which Nintendo character, game, or even device they identified with and attempting to sell a new product by exploiting players' nostalgic connections to earlier ones. Today, nearly two decades after its release, and despite the development of newer and more powerful systems, Nintendo's Game Boy Advance lives on, through a community that continues to hack, modify, emulate, make, break, remake, redesign, trade, use, love, and play with the platform. In this book Alex Custodio traces the network of hardware and software afterlives of the Game Boy Advance platform. Each chapter considers a component of this network—hardware, software, peripheral, or practice—that illuminates the platform's unique features as a computational system and a cultural artifact. Examining the evolution of the design and architecture of Nintendo's handhelds and home consoles, and the constraints imposed on developers and players, for example, Custodio finds that Nintendo essentially embeds nostalgia into its hardware. She explores Nintendo's expansion of the platform through interoperability; physical and affective engagement with the Game Boy Advance; portability, private space, and social interaction; the platformization of nostalgia; fan-generated content including homebrew, hacking, and hardware modding; and e-waste—the final afterlife of consumer electronics. Although the Game Boy Advance is neither the most powerful nor the most popular of Nintendo's handhelds, Custodio argues, it is the platform that most fundamentally embodies Nintendo's reliance on the aesthetics and materiality of nostalgia.
An accurate, detailed and fascinating account of the life of a man whose story should have been told in this much detail long ago.Author Mark Wilkerson interviewed Townshend himself and...
17 Responding to God in Your Life G into od's first word to the way that friends you called you Imagine yourself at the far end of your know each other . It existence . involves talking to God life and looking back .
Did you miss me? I told you not to go, not my fault,” he said teasing me. “Shut up; you are so boastful. I think I saw you yesterday,” I said. “Ohh!! Were you following me? I have had female fans, but don't you think you are going a bit ...
To be in the Bold Move state, you need to keep track of that manual. When you operate optimally, you can do more than you might have imagined. So what does that look like to you? We are all unique and different, so what does it mean for ...
He is trying to protect unborn babies and full-term babies from being cut piece by piece from their mother's womb, and you want him to be perceived as some kind of a monster. Maybe you, liberal and progressive types, should take a good ...
Have you ever sat and wondered who you truly are? Where you've been and where you're going? Are you merely human or perhaps something more wondrous? Have you ever looked up at the stars at night and pondered if intelligent life exists ...
I wanted to wallow in wizards and spells and history and snow and cloaks, but I knew if we stayed where we were, Tom Whistler would spoil it with one of his socalled funny remarks. 'Let's go,' I said irritably, pulling my hand away.
Man 18:15 The merchants of these things, who were made rich by her, will stand far away for the fear of her torment, weeping and mourning; Man 18:16 saying, 'Woe, woe, the great city, she who was dressed in fine linen, purple, ...
(1949; from Rimál [1962] 1983) WHO ARE YOUP (TIMI KO2) Here we are fond of our needs, the vanity which hides them is dear to us: who are you to expose them? Here we cling to our complexes, fond of this weak lassitude, we do not want to ...
Before entering the dining hall, you take off your shoes and add them to the neat rows outside the front door. The women and the mensit on opposite sides of the dining hall. And absolute silence is maintained ...