Leading neuroscientists and architects explore how the built environment affects our behavior, thoughts, emotions, and well-being. Although we spend more than ninety percent of our lives inside buildings, we understand very little about how the built environment affects our behavior, thoughts, emotions, and well-being. We are biological beings whose senses and neural systems have developed over millions of years; it stands to reason that research in the life sciences, particularly neuroscience, can offer compelling insights into the ways our buildings shape our interactions with the world. This expanded understanding can help architects design buildings that support both mind and body. In Mind in Architecture, leading thinkers from architecture and other disciplines, including neuroscience, cognitive science, psychiatry, and philosophy, explore what architecture and neuroscience can learn from each other. They offer historical context, examine the implications for current architectural practice and education, and imagine a neuroscientifically informed architecture of the future. Architecture is late in discovering the richness of neuroscientific research. As scientists were finding evidence for the bodily basis of mind and meaning, architecture was caught up in convoluted cerebral games that denied emotional and bodily reality altogether. This volume maps the extraordinary opportunity that engagement with cutting-edge neuroscience offers present-day architects. Contributors Thomas D. Albright, Michael Arbib, John Paul Eberhard, Melissa Farling, Vittorio Gallese, Alessandro Gattara, Mark L. Johnson, Harry Francis Mallgrave, Iain McGilchrist, Juhani Pallasmaa, Alberto Pérez-Gómez, Sarah Robinson
Multi award winning, the SWC was one of the first buildings in the world designed to take into account what has been learned about how the work space affects behaviour and is a highly effective building in which to work.
This book is especially useful for the perspective it offers on behavioural change. It reveals the conditions under which traditional economic theories of incentives will be appropriate, and the conditions under which they will not be.
Architecture is a Verb outlines an approach that shifts the fundamental premises of architectural design and practice in several important ways.
16 Rodolfo R. Llinás, Iofthe Vortex: From Neurons to Self (Cambridge, MA: MIT Press, 2002), p. 259. 17 William J. Mitchell, e-topia: “URBAN LIFE JIM – BUT NOTAS WE KNOWIT” (Cambridge, MA: MIT Press, 1999), P. 152.
Architecture and Neuroscience
This book is a comprehensive development and defense of one of the guiding assumptions of evolutionary psychology: that the human mind is composed of a large number of semi-independent modules.
This book provides both neuroscientists and architects with methods of organizing research that would help us understand human experiences in architectural settings.
What design tools do they use? This book offers a behind-the-scenes look at twenty high-profile international architecture firms and provides authentic glimpses of the architects’ individual creative worlds.
This book will allow project commissioners, architects and designers to create environments that are more 'mind friendly' for all.
The central contention of this book is that understanding these two faces of spontaneity-its virtues and its vices-requires understanding the "implicit mind.