As synthetic biology transforms living matter into a medium for making, what is the role of design and its associated values? Synthetic biology manipulates the stuff of life. For synthetic biologists, living matter is programmable material. In search of carbon-neutral fuels, sustainable manufacturing techniques, and innovative drugs, these researchers aim to redesign existing organisms and even construct completely novel biological entities. Some synthetic biologists see themselves as designers, inventing new products and applications. But if biology is viewed as a malleable, engineerable, designable medium, what is the role of design and how will its values apply? In this book, synthetic biologists, artists, designers, and social scientists investigate synthetic biology and design. After chapters that introduce the science and set the terms of the discussion, the book follows six boundary-crossing collaborations between artists and designers and synthetic biologists from around the world, helping us understand what it might mean to 'design nature.' These collaborations have resulted in biological computers that calculate form; speculative packaging that builds its own contents; algae that feeds on circuit boards; and a sampling of human cheeses. They raise intriguing questions about the scientific process, the delegation of creativity, our relationship to designed matter, and, the importance of critical engagement. Should these projects be considered art, design, synthetic biology, or something else altogether? Synthetic biology is driven by its potential; some of these projects are fictions, beyond the current capabilities of the technology. Yet even as fictions, they help illuminate, question, and even shape the future of the field.
Translated by Colin Smith. London: Routledge, 2002 [1945]. Meyer, Kimberli, and Nizan Shaked. Jennifer Steinkamp. Los Angeles: Mak Center for Art and Architecture, 2009. Meyers, Brad A. “A Brief History of Human-Computer Interaction.
The tension between art and science may be traced back to the Greeks. What became "natural philosophy" and later "science" has traditionally been posed as a fundamental alternative to poetry and art.
This is a story of broad interest, because the active, interested making of the synthetic biologists is endemic to the sciences of our time."
19 For Vaneigem the rigidcharacter armour of bodies, an analysis borrowed from Wilhelm Reich, had to be cracked open to liberate the life coiled inside. The armoured bodies of the police and army were the undead.
A. Kruchonykh and V. Khlebnikov, “From The Word as Such,” in Russian Futurism Through Its Manifestoes, Lawton and Eagle, eds. (Ithaca, N.Y.: Cornell University Press, 1998), 61–62. 23. Kukovnikov (Remizov), “Manuscripts and Drawings of ...
In this study Ngai offers an aesthetic theory for the hypercommodified, mass-mediated, performance-driven world of late capitalism.
Cronon, W. (1995), The trouble with wilderness, or, getting back to the wrong nature, in Uncommon Ground: Toward Reinventing Nature, ed. W. Cronon, W. W. Norton, New York, 69–90. 12. Dudley, N. (2011), Authenticity in Nature: Making ...
5 Case Studies The aim of this chapter is to show how the artistic strategies , processual characteristics , modes ... Case Study 1 : Olia Lialina , Agatha Appears Olia Lialina's Agatha Appears is an early example of Internet art that ...
The Elusive Synthesis: Aesthetics and Science
This collection begins with an engaging historical overview of Japanese aesthetics and offers contemporary multidisciplinary and interdisciplinary perspectives on the artistic and aesthetic traditions of Japan and the central themes in ...