In this analysis of theological conflict, Wesley Kort treats theologies as discourses that generate power and significance by their relations to and differences from one another. He identifies the traditional or putative claims of theological power and meaning--sources, referents, and patterns or structures--as distractions from or even concealments of the discursive situation in which theologies arise. Kort first describes the dynamics of difference and conflicts constituted by theologies and the importance of power for opposing theologies. He provides a model that demonstrates why differences and conflicts, rather than occasional or peripheral effects of theology, are required as central causes. He then applies the analysis and model in the task of reading theologies of more than a dozen modern and contemporary figures. In his conclusion, Kort returns to the cultural situation he sketched at the beginning, one that creates the conditions for the study and that is often called "postmodern." Kort calls it "a culture of scripture and belief," and he discusses prospects for theology in a culture not characterized by the fact and certainty. "The culture of scripture and belief" calls for theologies that are both forceful and vulnerable to critique.
I owe special thanks to Bruce Martin and Evelyn Timberlake ( at the Library of Congress ) ; Philip Milato and Steve Crook ( at the Berg Collection ) ...
... Alice: “In Search of Our Mothers' Gardens” 157 Warwick Prize for Women in Translation 38 Wertenbaker, Timberlake 21 Wilson, Emily (trans.
HENRY TIMBERLAKE'S CHEROKEE WAR SONG 1. That Timberlake's memoir contains the first English translation of the words of a Native American song seems to have ...
“Justin Timberlake, 'The 20/20 Experience': Is There a Visual Preference for Whiteness?” Interview with Marc Lamont Hill. HuffPost Live, 27 March 2013.
Thompson , E . in Pollard 1923 . Thompson , J . Shakespeare and the Classics , 1952 . Tillyard , E . Shakespeare ' s History Plays , 1944 . Timberlake , P ...
In The Problem with Pleasure, Frost draws upon a wide variety of materials, linking interwar amusements, such as the talkies, romance novels, the Parisian fragrance Chanel no. 5, and the exotic confection Turkish Delight, to the artistic ...
Similarly, he deplored the picturestories of A. B. Frost in his Stuff and Nonsense ... When he'd eaten eighteen, He turned perfectly green, Upon which he ...
Renew'd by ordure's sympathetic force, As oil'd with magic juices for the course, ... William Frost (1953; reprint, New York: Holt, Rinehart and Winston, ...
D'Albertis, Luigi. New Guinea: What I Did and What I Saw. 2 vols. London: S. Low, Marston, Searle & Rivington, 1881. First published 1880.
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