Some fifty thousand Soviets visited the United States under various exchange programs between 1958 and 1988. They came as scholars and students, scientists and engineers, writers and journalists, government and party officials, musicians, dancers, and athletes&—and among them were more than a few KGB officers. They came, they saw, they were conquered, and the Soviet Union would never again be the same. Cultural Exchange and the Cold War describes how these exchange programs (which brought an even larger number of Americans to the Soviet Union) raised the Iron Curtain and fostered changes that prepared the way for Gorbachev's glasnost, perestroika, and the end of the Cold War. This study is based upon interviews with Russian and American participants as well as the personal experiences of the author and others who were involved in or administered such exchanges. Cultural Exchange and the Cold War demonstrates that the best policy to pursue with countries we disagree with is not isolation but engagement.
While this volume provides insight into how political players tried to harness the arts to serve their own political purposes, at the same time it is clear that the arts and artists exploited the Cold War framework to reach their own ...
This book analyzes four of the early ballet exchange tours, demonstrating how this series of encounters changed both geopolitical relations and the history of dance. The ballet tours were enormously popular.
This volume focuses on cultural diplomacy and artistic interaction between Eastern and Western Europe after 1945.
This booklet examines U.S. involvement with cultural diplomacy, emphasizing exchanges of persons and ideas that have lasting effects on relatively small numbers of people and information programs using the mass...
Approaching the early decades of the “Iron Curtain” with new questions and perspectives, this important book examines the political and cultural implications of the communists’ international initiatives.
Dwight D. Eisenhower and Nikita Khrushchev presided over a pivotal period in Soviet-American relations.
Yvonne Rainer, Trisha Brown, and Simone Forti had all met at Halprin's 1960 summer workshop. They met up again in New York. By 1962 all three had worked with Robert Dunn and became part of Judson Dance Theatre. Most members of the Dance ...
With its unique focus on how culture contributed to the blurring of ideological boundaries between the East and the West, this important volume offers fascinating insights into the tensions, rivalries and occasional cooperation between the ...
World's Fairs and International Exhibitions have always had a political as well as a commercial and cultural context. This was particularly true during the Cold War between America and the...
Eleonory Gilburd reveals how Western culture defined the last three decades of the Soviet Union, its death, and afterlife.