Krieger revisits the ideas of his now infamous article of some thirty years ago in Science magazine. His aim is to give an account of design, one that experienced designers will say, 'Yes, That's just what it is like!' At the same time, Krieger offers an analysis of the tensions that design operates within; between perfection and contingency, between wholes and parts, between the talk we make about the world and the world itself.
Krieger takes design--in architecture, landscape, interiors, engineering, and in systems and computer science--to be modeled by traditional theological and artistic problems. And here, he claims, design has traditionally been a redesign of nature. For nature is, as Durkheim would describe it, a totem. Our collective ritual devotion to it allows us to enliven or animate it, and so it may animate us as well. Curiously, much of design and discourse about it now takes place in the computer software engineering world, especially among those concerned with patterns and object- oriented programming. In developing a notion of plastic trees, Krieger probes just what could be wrong with such artifices. As he illustrates, what we call nature is almost always a product of deliberate design. It is as if people make discoveries in exploration, discoveries of places already occupied aboriginally. In essence, he asserts what we actually have is a virtual authenticity, more real than any original could possibly be--since the original was never meant to be sacralized or featured in our lives. A provocative analysis that scholars and students of architecture and planning, environmental studies, engineering and computer science will find stimulating.
This leads us to consider another popular television format , the talk show , which over the past twenty - five years has gone from " talking heads " to an audience - participation mode established by Phil Donahue and then developed in ...
皮埃尔-奥古斯特·雷诺阿生活和呼吸着的是一种新的艺术风格,对他来说,第一次印象派画展意义重大,他的画作得到艺术家们的肯定。1873年他搬到了蒙马特并在那里度过了一生 ...
周... III.1雷诺阿,H.(1841-1919)—生平事迹 2 油画—作品集—法国—近代 IV.1K835.655.722J233 中国版本图书馆CIP数据核字(2004)第051724号© Confidential Concepts, Worldwide, USA © Parkstone PressInternational, New York, USA 书名:莫奈译者:蔡德崑 ...
你只有摧残了它的精神,才可能占领它的肉体或者是物质。而精神里面最重要的就是史,就是对国家民族的由来和过程的认识。他说“周之世,官大者史”。我们知道我们一般说中国历史,就说夏商周,但是真正成形的,从制度和文化、典籍上给后代以影响的还.
學習藝術地圖的終極工具書 四位頂尖繪圖藝術家 step by step教你畫出 有故事的個人地圖 記憶中是否有一些只屬於你自己的地方? 小時候和童年玩伴一起踏遍足跡的小鎮 ...
Criticizes Pat Buchanan, Pat Robertson, Jessie Helms, and Ronald Reagan, political correctness, academic obsessions with theory, the art world, American infrastructure, and other targets
Georgia O'Keefe's best water colors, charcoals, and pastels are presented here in a survey of her work on paper dating from 1915 through 1962.
Douglas Johnson: Southwest Traditions and Modern Icons
It was orchestrated by Berlioz and performed as ballet music in his 1841 production of Weber's Freischütz in Paris . The work is probably best known today in this orchestral version . It is also familiar to the world of dance through Le ...
April 23 , 1925 , p . 16 . 1793. Holman , Lois Holliday . Rose O'Neill's Kewpies and Other Works . N.p .: Privately published , n.d. 1794. Horine , Maude M. Memories of Rose O'Neill : Creator of the Kewpie Doll . N.p .