Many people dream of "someday buying a small quaint place in the country, to own two cows and watch the birds," in the words of Texas ranchwoman Amanda Spenrath Geistweidt. But only a few are cut out for the unrelenting work that makes a family ranching operation successful. Don't Make Me Go to Town presents an eloquent photo-documentary of eight women who have chosen to make ranching in the Texas Hill Country their way of life. Ranging from young mothers to elderly grandmothers, these women offer vivid accounts of raising livestock in a rugged land, cut off from amenities and amusements that most people take for granted, and loving the hard lives they've chosen. Rhonda Lashley Lopez began making photographic portraits of Texas Hill Country ranchwomen in 1993 and has followed their lives through the intervening years. She presents their stories through her images and the women's own words, listening in as the ranchwomen describe the pleasures and difficulties of raising sheep, Angora goats, and cattle on the Edwards Plateau west of Austin and north of San Antonio. Their stories record the struggles that all ranchers face—vagaries of weather and livestock markets, among them—as well as the extra challenges of being women raising families and keeping things going on the home front while also riding the range. Yet, to a woman, they all passionately embrace family ranching as a way of life and describe their efforts to pass it on to future generations.
But only a few are cut out for the unrelenting work that makes a family ranching operation successful.
(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line.
Not a lot of people know that I ran away from home at 16.
These eleven arresting, comic, and moving stories by acclaimed writer Michael Parker testify to the driving force of love, the lengths to which we’ll go to claim it and pursue it, the delusions we’ll float to keep it going, the torment ...
Ten-year-old Grace knows that her mum loves her, but her mum loves drugs too.
Lincoln I had my chance at love and I threw it away.
Vincente pitched me to his producers, Pandro Berman, Eddie Grainger, and Sol C. Siegel, a triumvirate of MGM's so-called College of Cardinals, the grand old men who made the movies. He screened Crime and Punishment, USA for them.
New York City is miles from Salt Lick, Texas, in more ways than one, but Debbie Sue Overstreet and Edwina Perkins-Martin are rarin' to go.
I lie in a grave now because it is to late for me. If they do not respond to threats and warnings! I will announce my name. This is true. I am coming. My name is Marshall Sam Saint. This is my Town cowpoke!