Renowned for their monumental architecture and rich visual culture, the Moche inhabited the north coast of Peru during the Early Intermediate Period (AD 100-800). Archaeological discoveries over the past century and the dissemination of Moche artifacts to museums around the world have given rise to a widespread and continually increasing fascination with this complex culture, which expressed its beliefs about the human and supernatural worlds through finely crafted ceramic and metal objects of striking realism and visual sophistication. In this standard-setting work, an international, multidisciplinary team of scholars who are at the forefront of Moche research present a state-of-the-art overview of Moche culture. The contributors address various issues of Moche society, religion, and material culture based on multiple lines of evidence and methodologies, including iconographic studies, archaeological investigations, and forensic analyses. Some of the articles present the results of long-term studies of major issues in Moche iconography, while others focus on more specifically defined topics such as site studies, the influence of El Niño/Southern Oscillation on Moche society, the nature of Moche warfare and sacrifice, and the role of Moche visual culture in decoding social and political frameworks.
"This volume represents a landmark in Moche studies.”--George Bankes, The Journal of The Royal Anthropological Institute Centuries before the rise of the Inca, the Moche created impressive monumental architecture...
This volume explores the art and archaeology of the Moche, who created impressive monuments and metal objects centuries before the rise of the Inca. A major theme of the volume...
Moche Murals and Archaeo Art History Lisa Trever. art . To date , there is evidence of a weaving workshop within the ... Fineline Painting , fig . 4.72 ; McClelland , McClelland , and Donnan , Moche Fineline Painting from San José de Moro ...
3, annex C. Lima: Pontificia Universidad Católica del Perú, 1950. Rivero y Ustáriz, Mariano Eduardo, and Johann Jacob von Tschudi. Antigüedades peruanas. Vienna: Imprenta de la Corte y del Estado, 1851. Rivet, Paul.
In this pioneering book, Steve Bourget marshals all the currently available information from the archaeology and visual culture of Huaca de la Luna as he seeks to understand the centrality of human sacrifice in Moche ideology and, more ...
... fought among themselves. their defeated enemies into trophies and did so almost immediately, on the battlefield. ... It cannot be ruled out that this is how Moche artists wanted to accuse their neighbours not only of cruelty but ...
The Burial Theme in Moche Iconography
Such a being personified a force to be reckoned with, a forefather or a deity of the ancestors, identified with nature or the power to ... Bernabé Cobo (1990 [1653]: Bk. 1, Ch. 11) spoke of huacas as having divinity residing in them.
To date, this is the largest sample of Moche art from a single place and time. Thus it provides a unique opportunity to identify a distinct sub-style of Moche ceramics, and to assess its range of artistic and technological variation.
Quilter utilizes the Peabody's collection as a means to investigate how the Moche used various media, particularly ceramics, to convey messages about their lives and beliefs.