'Johnny Cash ... Every man could relate to him, no man could be him, and only one man could get inside his head - Robert Hilburn' BONO People don't just listen to Johnny Cash: they believe in him. But no one has told the Man in Black's full story, until now. In Johnny Cash: The Life, Robert Hilburn conveys the unvarnished truth about a musical icon, whose colourful career stretched from his days at Sun Records with Elvis Presley and Jerry Lee Lewis to his remarkable, brave and deeply moving 'Hurt' video, aged sixty-nine. As music critic for the Los Angeles Times, Hilburn knew Cash well throughout his life: he was the only music journalist at the legendary Folsom Prison concert in 1968, and he interviewed Cash and his wife June Carter for the final time just months before their deaths in 2003. Hilburn's rich reporting shows the remarkable highs and deep lows that followed and haunted Cash in equal measure. A man of great faith and humbling addiction, Cash aimed for more than another hit for the jukebox; he wanted his music to lift people's spirits. Drawing upon his personal experience with Cash and a trove of never-before-seen material from the singer's inner circle, Hilburn creates an utterly compelling, deeply human portrait of one of the most iconic figures in modern popular culture - not only a towering figure in country music, but also a seminal influence in rock, whose personal life was far more troubled, and whose musical and lyrical artistry much more profound, than even his most devoted fans ever realised.
He amorously pursued sixteen-year-old cast member Lorrie Collins, but appears to have spent more time under the artistic spell of singers Tex Ritter, Merle Travis, and Johnny Western, men who reawakened his interest in the Western ...
Rodney Clapp, Johnny Cash and the Great American Contradiction: Christianity and the Battle of the Soul of the Nation (Louisville, KY: Westminster John Knox Press, 2008), 43, 140n. 34. Julie Chadwick, The Man Who Carried Cash: Saul ...
This is a no-holds-barred look at Cash's life and is the first truly rounded portrait of the man.
Describing how he developed his version of this old folk song about a man escaping from prison, Cash said in the liner notes for Unearthed: This is a song that I wrote that got inspiration from Alan Lomax, who did a field recording back ...
... Me the Breeze,” 173 “Call Your Mother,” 251 Campbell, Glen, 80, 131, 139, 173–174, 181,210, 245 Campbell, Jimmie, ... 255, 257 Cash, Roy (brother), xv, 3, 6, 23, 80 Cash, Roy, Jr. (nephew), 80, 103 Cash, Tara (daughter), xvii Cash, ...
She quickly picked it up and heard the shocking news that Johnny Horton had been killed in a car crash, a head-on collision at 1:35 a.m. on Highway 79 near Cameron, Texas. She sat on the bed for several minutes, trying to figure out how ...
Here Cash is seen as somebody not only worth admiring, but worth fighting for, and this book shows that Cash fandom is a more active field of politics and commitment than might routinely be assumed"--
Cash. New York: Crown Archetype, 2004. Smith, John L. Another Song to Sing: The Recorded Repertoire of Johnny Cash. Lanham, Maryland: Scarecrow Press, 1999. ... The Resurrection of Johnny Cash: Hurt, Redemption, and American Recordings.
He was the "Man in Black," a country music legend, and the quintessential American troubadour. He was an icon of rugged individualism who had been to hell and back, telling the tale as never before.
In I Still Miss Someone, more than forty people offer their remembrances of the Man in Black and provide an insider's view of the heart and soul of the friend they knew simply as John.