The general argument advanced by the Morrises in this ambitious work revolves around the idea that William Faulkner is deeply critical of the prevailing Southern myth and discourse; furthermore, that his narratives are an attempt to discover and amplify alternative voices within that dominant milieu. Those voices and the stories they tell are most often those of the unprivileged in race, class, and gender--the black, the poor white, the woman, the neurotic, and so forth--who act out the disintegration of Southern culture even as they may be said to hold it together in a communal act of mythmaking. This "reading" thus makes the case (a largely revisionary one) for Faulkner as a fully engaged political writer, a writer embroiled in the process of the subversion and dissolution not only of dominant Southern myth, but of dominant Southern reality as well. Structured in the way Faulkner imagined his entire fictional universe--as a single narrative--Reading Faulkner's incremental design results in a "story" that has much of the drive and force of Faulkner's "story" itself.
To the king , she professes humiliation at the thought of marrying a commoner « d'une naissance / Où l'on n'est destiné que pour l'obeissance » ( II , 1 , 345-346 ) . She reviles « cette Ame si basse et si noire » , but claims that her ...
Le sommeil permet à Hani d'effectuer un voyage virtuel vers l'avenir , précisément vers l'an 2039 , alors que le réveil le fait revenir à la réalité . Une réalité qui connaît les prémices du cauchemar virtuel qu'il voit dans ses rêves ...
Beckett and Religion: Beckett/aesthetics/politics
The book pursues an in-depth investigation of the process whereby female identity was performatively negotiated on the Restoration stage by women playwrights such as Aphra Behn and of how a new articulation of social space contributed to ...
This book proposes the "formless" as a way of thinking through the impasses of contemporary politics.