Widely publicized in mass media worldwide, high-profile tragedies and celebrity scandals—the untimely deaths of Michael Jackson and Princess Diana, the embarrassing affairs of Tiger Woods and President Clinton, the 9/11 attacks or the Challenger space shuttle explosion—often provoke nervous laughter and black humor. If in the past this snarky folklore may have been shared among friends and uttered behind closed doors, today the Internet's ubiquity and instant interactivity propels such humor across a much more extensive and digitally mediated discursive space. New media not only let more people "in on the joke," but they have also become the "go-to" formats for engaging in symbolic interaction, especially in times of anxiety or emotional suppression, by providing users an expansive forum for humorous, combative, or intellectual communication, including jokes that cross the line of propriety and good taste. Moving through engaging case studies of Internet-derived humor about momentous disasters in recent American popular culture and history, The Last Laugh chronicles how and why new media have become a predominant means of vernacular expression. Trevor J. Blank argues that computer-mediated communication has helped to compensate for users' sense of physical detachment in the "real" world, while generating newly meaningful and dynamic opportunities for the creation and dissemination of folklore. Drawing together recent developments in new media studies with the analytical tools of folklore studies, he makes a strong case for the significance to contemporary folklore of technologically driven trends in folk and mass culture.
Carol Roberts: “I go to singles bars. And you always tell strangers your life history. It becomes such a rap. I have mine down to a science. I repeat myself like a stewardess. 'Good evening. My name is Carol Roberts, I'm 4 foot 11%.
So Twain accepted the chance to perform with popular comic storyteller-versifier James Whitcomb Riley at Madison Square Garden: $250 for ... If Webster went under, creditors would find Twain had no s A FE E G G s AND B Rok EN EGG s 23.
With the wit of Maria Semple’s Today Will Be Different and all the adventure of Deborah Moggach’s The Best Exotic Marigold Hotel, Lynn Freed’s The Last Laugh is at once wildly funny and deeply perceptive, an exuberant story of ...
The last of Perelman¿s twenty books, this compilation contains seventeen pieces never before collected, in addition to the opening chapters of the author¿s uncompleted autobiography.
American Film, and (with David Boyd) Hitchcock at the Source: The Auteur as Adapter. ... the '50s, and Film, Screening the Beats: Media Culture and the Beat Sensibility, and Guiltless Pleasures: A David Sterritt Film Reader.
In the first book of a suspenseful YA duology, award-winning author Mindy McGinnis draws inspiration from Edgar Allan Poe and masterfully delivers a dark, propulsive mystery in alternating points of view that unravels a friendship . . . ...
The Last Laugh and Other Stories
This rollicking finale to the bestselling series by Mac Barnett and Jory John will settle once and for all who--between quick wits and powerful fists--will have the last laugh.
with my own life, helping me be inspired to take the next step in my own evolution.” —Jonathan Robinson, author of The Complete Idiot's Guide to Awakening Your Spirituality and Communication Miracles for Couples “Hilarious and ...
Meet a not-so-nice snake, a jittery gopher, and a duck who doesn't know what he's in for. But wait: The duck's not the only one who's about to be surprised!...