Best known for evocative box-constructions in which he assembled small objects and ephemera, the American surrealist Joseph Cornell (1903-72) was also a devoted fan of the cinema. He thrived on almost daily visits to movie theaters, amassed archives of films and film stills, created short motion pictures, and produced works honoring his favorite females movie stars. This book examines for the first time Cornell's "portrait-homages" to these actresses, Hedy Lamarr, Lauren Bacall, Greta Garbo, and Jennifer Jones, among others.
Focusing on Cornell's "cinematic imagination" and the ways he adapted techniques of accumulation, collection, and juxtaposition to the art of portrayal, Jodi Hauptman argues that Cornell's movie star portraits are his most emblematic works. She shows how each portrait is inflicted by the star's personality, roles, and the moment of a particular film's release and how Cornell ultimately transforms each of his subjects. Hauptman also explores the links between collection and desire, contending that Cornell is both a surrealist and a historian: his accumulation of cast-offs echoes surrealism's infatuation with the found object while his attempts to rescue swiftly disappearing pasts reenact the historian's labor in the archive.
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei