Through his representation of modern subjects such as ballet dancers and race horses, his constant questioning of traditional artistic practices, and his vital engagement with Parisian society, Edgar Degas (1834-1917) helped to define the beginnings of modernism in visual culture at the end of the nineteenth century. This engaging book yields new scholarship on works by Degas in the collection of the Yale University Art Gallery and provides in-depth discussion of works of art in every medium explored by this innovative artist. Extended entries by distinguished scholars including Richard Kendall and Edgar Munhall provide a complete review of the artist's working methods. The book also introduces several important pieces by Degas that have rarely been available for view by the public, including a notable wax figure and several unique prints and works on paper.
In this fascinating monograph, author Richard Thomson explores this brilliant work in detail, revealing both the intricacies of its composition and the source of the emotional pull it immediately exerts upon the viewer.
An introduction to the life and work of nineteenth-century French artist Edgar Degas, discussing his cultural and historical importance, and including a chronology and over one hundred color illustrations with explanatory captions.
Discusses the life of Edgar Degas and describes his unique style of art.
Contains reproductions of the artist's work, extracts from his correspondence, and a study of the artist's personality and work.
But there is no single text that better stokes the fire than Degas and His Model, a short memoir published by Alice Michel, who purportedly modeled for Degas.
This is a reprint of the book first published by the University of Chicago Press in 1991.
This book rips open the divide between Edgar and his brother that kept them from speaking for ten years, and led Edgar to start a new direction in his work: Impressionism.
Edgar Degas seems never to have reconciled himself to the label of "Impressionist," preferring to call himself a "Realist" or "Independent.
Sidebars provide additional information about the life and work of one of the founders of Impressionism.