This important and welcome volume is the first English-language anthology of writings on Latin American modern art of the twentieth century. The book includes some fifty seminal essays and documents - including statements, interviews, and manifestoes by artists - that encompass the broad diversity of this emerging field. Many of these materials are difficult to access and some are translated here for the first time. Together the selections explore the breadth and depth of Latin American modern art as well as its distinctive evolution apart from American and European art history. Included in this collection are fascinating ideas and insights on the impact of the avant-garde in the 1920s, the Mexican mural movement, Surrealism and other fantasy-based styles, modern architecture, geometric and optical art, concrete and neo-concrete art, and political conceptualism. For students and scholars of Latin American art, the volume offers an invaluable collection of primary and secondary sources.
This volume's essays, interviews, and artist's statements—many of which are appearing in English for the first time—demonstrate the complex relationship between moments of political transformation and artistic production.
These texts show that in Latin America, abstraction is often undertaken for different purposes than it is on other continents. ... Patrick Frank, ed., Readings in Latin American Modern Art (New Haven, CT: Yale University Press, 2004).
Contemporary Art in Latin America continues the ARTWORLD series, bringing to light innovative contemporary art from across the globe.
... 148 Pérez, Marta María, 217 Pérez-Barreiro, Gabriel, 231 Pérez Monzón, Gustavo, 71 “Perfect Etching, The” (cLip), ... Abel, 222, 229 Prieto, Rubén, 17 Print Biennial of Tokyo, 156 printmaking: and circulation of information, 106, ...
González's art broadens Latin American art history by presenting an unusual case of the geometric abstract artist who used the rational, ... Oswald de Andrade, “Anthropophagite Manifesto,” in Readings in Latin American Modern Art, ed.
Featured in this book are the artists who have searched for indigenous roots and local tradition; explored abstraction, expressionism, and new media; entered into dialogue with European and North American movements, while insisting on ...
This book is essential reading for those who want to understand this new, dissident work, as well as its mystification, co-option and commercialisation within current academic historiographies and art-world curatorial initiatives."
From La Cruz del Sur (Montevideo), 31 May 24,” in Readings in Latin American Modern Art, ed. Patrick Frank, New Haven and London: Yale University Press, 2004, 17. 12. Mari Carmen Ramírez and Héctor Olea, Inverted Utopias.
Writing about the modernist works in newspapers and magazines, critics provided a new vocabulary with which to interpret and assign value to the expanding sets of abstracted forms produced by these artists, whose lives were shaped by ...
Account of the rise of modernism in the art of Latin America, published to accompany the exhibition Latin American Artists of the Twentieth Century at The Museum of Modern Art,...