During the 18th century a remarkable group of women formed the Bluestocking Salon, where women and men met to debate contemporary ideas and promote the life of the mind. Together, these cultural innovators helped forge new roles for women as influential thinkers, writers, and artists, and their creative achievements were publicly celebrated.
Richly illustrated with portraits, prints, and personal artifacts, Brilliant Women tells the story of this fascinating group of women. The authors chart the changing fortunes of the female intellectual and explore how a number of bluestocking women, such as artist Angelica Kauffmann, historian Catharine Macaulay, and early feminist Mary Wollstonecraft, used portraiture to advance their work and their reputations in a period framed by the Enlightenment and the French Revolution.
Brilliant Women pays tribute to the friendships and achievements of these bluestocking women, presenting new information on the range of cultural activities in which they were engaged, as well as celebrating their legacy.
Technology and the Visual Arts in the Nineteenth Century
What Great Paintings Say: Masterpieces in Detail
Ciampelli was, like Pomarancio and Giuseppe Valeriano, regularly employed by the Jesuits; see Hibbard in Wittkower and Jaffe 1972, 40-41. 6. Bellori (1672) 1976, 217. 7. See Urbino 1953, 35-36. in 1607 (cat. 77).
Per tale motivo , nel 1908 in America la Germantown sullo schermo , e mettendosi a cantare sul filo dell'accompagna- Citizens ' Association mise al bando questi copricapi da " vedova mento musicale . Un simile coinvolgimento era ...
In the 1940s the Mandragora group around Braulio Arenas and Enrique Gomez Correa emerged in Santiago de Chile , distinguishing Surrealism from the Stalinism of the poet Pablo Neruda . In Buenos Aires the flavour of the movement was ...
Catalog of a traveling exhibition first held at the Museum of Fine Arts, Houston, Apr. 2-Aug. 28, 1995.
The art of Betye and Alison Saar: secrets, dialogues, revelations : Wight art gallery, University of California Los Angeles, [January...
According to A. Sutherland Harris , this painting bore an attribution to Jan Asselijn ' until it was recognised as a work of Du Jardin by Otto Naumann in 1984 ( privately ) . This was confirmed by R. Trnek and accepted by both A. C. ...
David Smith: Drawing + Sculpting : [exhibition], Nasher Sculpture Center, Dallas, April 16 - July 17, 2005
Abstrakter Expressionismus (Abstract Expressionism, Dt.). Der Triumph Der Amerikanischen Malerei