This volume features nearly 500 paintings, watercolors, pastels, and miniatures from Harvard University's storied, yet little-known, collection of American art. These works, many unpublished, are drawn from the Harvard Art Museums, the University Portrait Collection, the Peabody Museum of Archaeology and Ethnology, and other entities, and date from the early colonial years to the mid-19th century. Highlights include a rare group of 17th-century portraits, along with important paintings by Robert Feke, John Singleton Copley, Charles Willson Peale, Gilbert Stuart, and Washington Allston, in addition to works depicting western and Native American subjects by Alexandre de Batz, Henry Inman, and Alfred Jacob Miller, among others. Each work is accompanied by scholarly commentary that draws on extensive new research, as well as a complete exhibition and reference history. An introduction by Theodore E. Stebbins Jr. describes the history of the collection. Lavishly illustrated in color, this compendium is a testament to the nation's oldest collection of American art, and an essential resource for scholars and collectors alike.
"[Book title] is the first book to explore the crucial role the Fogg [Museum] played in the evolution of conservation in the United States and abroad.
"This publication accompanies the exhibition The Philosophy Chamber: Art and Science in Harvard's Teaching Cabinet, 1766-1820, on view at the Harvard Art Museums, Cambridge, Massachusetts, from May 19 through December 31, 2017, and at The ...
"Devour the Land considers how contemporary photographers have responded to the U.S. military's impact on the domestic environment since the 1970s, a dynamic period for environmental activism as well as for photography.
DICKINSON , EMILY 1830–1886 , poet Dickinson , Emily , Letters , Thomas H. Johnson , ed . ( 3 vols . , 1958 ) . Selected Letters , Thomas H. Johnson , ed . ( one vol . ed . , 1971 ) . Dickinson , Emily , Letters , M. L. Todd , ed .
Compiles information and interpretations on the past 500 years of African American history, containing essays on historical research aids, bibliographies, resources for womens' issues, and an accompanying CD-ROM providing bibliographical ...
In Context: Violence and Contemporary Art in Colombia -- Salcedo's Influences: Artists, Works, Practices -- The Six Visual Strategies -- Organic and Ephemeral: Materiality in Salcedo's Most Recent Works -- Inherent Vice and the Ship of ...
Robert L. Gale , Thomas Crawford : American Sculptor ( Pittsburgh : University of Pittsburgh Press , 1964 ) , 124. See also , David Hackett Fischer , Liberty and Freedom ( New York : Oxford University Press , 2005 ) , 299 ; and Vivien ...
Exhibition, Museum of Fine Arts, Boston, February 7-March 15, 1891. Catalogue compiled by S. R. Koehler. Boston, 1891. Boston 1904 Loan Collection: Oil Paintings, Water Colors, Pastels, and Drawings: Memorial Exhibition of the Works of ...
The Eternal Present in Indigenous Art from Australia Henry F. Skerritt, Hetti Perkins, Fred R. Myers, Narayan Khandekar ... In many of his most significant works, Gija artist Paddy Nyunkuny Bedford chronicled how the land was created ...
Pierre Andrieu , when a student , made a replica of a version of Christ on the Lake of Genesareth ( see Delacroix , 1932 , II , 211 ) , which Lee Johnson has suggested may be the version in the Museum of Fine Arts , Boston ( Johnson ...