Here at last is the publication that documents The Metropolitan Museum of Art's superlative collection of late colonial furniture. This comprehensive catalogue--prodigiously researched and gloriously illustrated--presents 213 of the finest objects in the Museum's American Wing. These masterpieces of eighteenth-century furniture are fully described and considered in light of comparative pieces from collections across the country. For every object the author gives detailed information about provenance, construction, condition, inscriptions if any, dimensions, and materials. The volume will stand as the quintessential sourcebook for collectors and a tour de force of scholarship in the field. In his foreword, Philippe de Montebello, director of the Metropolitan, says: "The Museum's highest priority is to communicate fully and exhaustively what is known about its collections in catalogues such as the present one. The first of three volumes covering the entire field of American furniture, it is devoted to the achievements of American cabinet- and chairmakers in the mid-eighteenth century, and in it curator Morrison Heckscher is able to furnish not only both a synoptic and detailed account of the period, but also invaluable information on methods of manufacture and on stylistic considerations, since his points of departure are the objects themselves, ultimately the most direct and secure evidence from which accurate conclusions can be drawn." The catalogue contains an appendix of photographic details, a complete bibliography, and indexes. (This book was originally published in 1985/86.)
Blue Book of Art Values: Artists & Their Works from Around the World
Peter Jennings and Todd Brewster, The Century (New York: Doubleday, 1998), 154. 8. Time-Life Editors, This Fabulous Century, Vol. IV, 23. 9.
Offers a selection of eighty-seven full-color reproductions of Timberlake's paintings, with an introduction by the painter
THE FERRELL BROTHERS, WILBUR AND WARREN , in their own words "were not known as singular artists but a duo." Wilbur began his career as a motion picture ...
Adelson, Warren, “John Singer Sargent and the 'New Painting,'” in Stanley Olson, Warren Adelson, and Richard Ormond, Sargent at Broadway: The Impressionist ...
This is a rich undiscovered history—a history replete with competing art departments, dynastic scenic families, and origins stretching back to the films of Méliès, Edison, Sennett, Chaplin, and Fairbanks.
Through careful research, Carol Gibson-Wood exposes the mythology surrounding the Morellian method, especially the mythology of the coherence and primacy of his method of attribution. She argues that it “could also be said that Berenson ...
Gibson translates from the Phoenician: “Beware! Behold, there is disaster for you ... !” (SSI 3, no. 5=KAI nr. 2). Examples from Cyprus include SSI 3, no. 12=KAI nr. 30. Gibson's translation of the Phoenician reads (SSI 3, ...
Examines the emergence of abstract organic forms and their assimilation into the popular arts and culture of American life from 1940-1960, covering advertising, decorative arts, commercial design, and the fine arts.
... S. Newman ACCOUNTING Christopher Nobes ADAM SMITH Christopher J. Berry ADOLESCENCE Peter K. Smith ADVERTISING ... ALGEBRA Peter M. Higgins AMERICAN CULTURAL HISTORY Eric Avila AMERICAN HISTORY Paul S. Boyer AMERICAN IMMIGRATION ...