Paris was the epicenter of art during the latter half of the nineteenth century, luring artists from around the world with its academies, museums, salons, and galleries. Despite the city's cosmopolitanism and its cultural stature, Parisian society remained strikingly conservative, particularly with respect to gender. Nonetheless, many women painters chose to work and study in Paris at this time, overcoming immense obstacles to access the city's resources. 'Women Artists in Paris, 1850-1900' showcases the remarkable artistic production of women during this period of great cultural change, revealing the breadth and strength of their creative achievements. Guest Curator Laurence Madeline (Chief Curator at Musées d'art et d'histoire, Geneva) has selected close to seventy compelling paintings by women of varied nationalities, ranging from well-known artists such as Berthe Morisot, Mary Cassatt, and Rosa Bonheur, to lesser-known figures such as Kitty Kielland, Louise Breslau, and Anna Ancher.
See also ukiyo-e prints Johnston, John Taylor, 122 La Jonque Chinoise gallery, Paris, 82 Paris: American culture in ... The Home of the Heron, 100, 101 Perry, Lilla Cabot, 126, 154–55, 160, 183; Giverny Landscape, in Monet's Garden, ...
For many today, the art of the late nineteenth century is equated with impressionism and post-impressionism. This book with its insightful essays and remarkable works of art presents us with...
926; Breton and Zuber, Catalogue raisonné de Louis- Léopold Boilly, 1016 D. 24 Olivier Bara, “Le Théâtre du Panorama- ... 27 Another example of this theme in Boilly's oeuvre is Entrée au Jardin Turc (1812), J. Paul Getty Museum, ...
A fictional novel that focuses upon the turbulent life and times of one of the founders of the Impressionist movement: Berthe Morisot. This novel was awarded a first prize in historical fiction from the Chanticleer Reviews writing contest.
Travel with Dianne Mize as she takes you on a journey to your inner artist and guides you with practical ways to set aside struggle and enjoy being the creative individual that you know you are.
... Hill-Stead Museum; Barbara Bair, Simonette dela Torre, Sara Duke, and Kaare Chaffee, Library of Congress, Washington; Susan Alyson Stein, Constance McPhee, Lilian Paulson, and Lauren Ritz, The Metropolitan Museum of Art, New York; ...
The aim of this dissertation is to analyze how Nordic women artists negotiated their professional identity in painting in the 1880s, focusing on the genres of the self-portrait, the friendship image and the studio interior.
Accompanying the National Gallery of Art's major new exhibition, coorganized with the Kimbell Art Museum, this volume explores the inquisitive, experimental, almost fearless vision that inspired his masterworks"--
Exiled in Modernity delves deeply into these themes, revealing why Delacroix’s disillusionment with modernity increasingly led him to seek spiritual release or epiphany in the sensual qualities of painting.
For more on Rembrandt's reputation and politicization in nineteenth-century France, see Alison McQueen, The Rise of the Cult of Rembrandt: Reinventing an Old Master in Nineteenth-Century France (Amsterdam: Amsterdam University Press, ...