A fascinating exploration of the visual culture of mortality in Renaissance Europe We often imagine the Renaissance as an age of exceptional human progress and artistic achievement. But, intriguingly, macabre images proliferated in precisely this period: unsettling depictions of Death personified, of decaying bodies, of young lovers struck down in their prime. These morbid themes run riot in the remarkable array of artworks featured in The Ivory Mirror. Nearly 200 illustrated artworks--from ivory prayer beads to gem-encrusted jewelry to exquisitely carved small sculptures--present us with an aspect of this era that is at once darker and more familiar than we might have expected. Focused on the challenge of making choices in an increasingly complex and uncertain world, Renaissance artists turned to poignant, often macabre imagery to address the critical human concern of acknowledging death, while striving to create a personal legacy that might outlast it. The essays gathered here discuss the development and significance of this transformative art of the past, while exploring themes that are still relevant today: how does one navigate the implicit tension between mortality and morality and seek to balance individual pleasure with the pursuit of a greater good?
She had to deal with a great deal of gossip; one rumour had it that she was 'intimate' with Reynolds and there was a scandal when she 'was alleged to be the halfnude woman in the corner of the Irish artist Nathaniel Hone's (1718–84) ...
But he may be surprised by what he finds. This brand-new story and perspective from A.G. Howard's dark, magical world stands alone but also provides a tantalizing glimpse of what's to come in Unhinged, the sequel to Splintered.
(14 cm) Gift of Frederic G. Fleming, 1990 (1990248) BDB EX COLLECTIONS: Michael Goffart, Liege; Frederic G. Fleming, Port Washington, New York. 265 TRAMMEL HOOK (CREMAILLERE) French or Spanish, late 15th or.
Nares, R., 83 Naudé, Gabriel, 200 Nazari, Giovanni Battista, 159 Nebuchadnezzar, 35, 48 Nero, 91, 107 Newlands, 176 Newton, Isaac, 44 Nicephorus, 124 Norton, Thomas, 153 Nostradamus (Michel de Nostre-Dame), 323 ff., 366 Nostre-Dame, ...
With its earliest invention, the mirror allowed us to gaze upon ourselves, bestowing a power both fascinating and terrifying.
Unfolding like a medieval pageant, and filled with saints, soldiers, caliphs, queens, monks and monstrous beasts, this book throws light on the medieval body from head to toe—revealing the surprisingly sophisticated medical knowledge of ...
Sarah Vida is a witch and a vampire hunter — and a loner.
Mirrors
And now you can buy the guide before your visit. Authoritative texts and superb illustrations illuminate the history of the place and tell the stories of the people who have lived and worked there.
This volume answers an acute need for research on the art of Northern Europe prior to the 20th century, and highlights the possibilities of new directions in the field.