This revelatory book traces how the Pre-Raphaelite Brotherhood and their close associates put scientific principles into practice across their painting, poetry, sculpture, and architecture. In their manifesto, The Germ, the Pre-Raphaelites committed themselves to creating a new kind of art modeled on science, in which precise observation could lead to discoveries about nature and humanity. In Oxford and London, Victorian scientists and Pre-Raphaelite artists worked together to design and decorate natural history museums as temples to God's creation. At the same time, journals like Nature and the Fortnightly Review combined natural science with Pre-Raphaelite art theory and poetry to find meaning and coherence within a worldview turned upside down by Darwin's theory of evolution. Offering reinterpretations of well-known works by John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti, Ford Madox Brown, and William Morris, this major revaluation of the popular Victorian movement also considers less-familiar artists who were no less central to the Pre-Raphaelite project. These include William Michael Rossetti, Walter Deverell, James Collinson, John and Rosa Brett, John Lucas Tupper, and the O'Shea brothers, along with the architects Benjamin Woodward and Alfred Waterhouse.
Together they form the world's finest collection of Pre-Raphaelite sculpture. The story of one of the most remarkable collaborations between scientists and artists in European art is told here with lavish illustrations --
This illustrated book focuses on the Pre-Raphaelite artists and their radical departure from artistic conventions.
Painter; born to an English family in Virginia, USA; studied at Sass's Academy with DGR; exhibited at the RA, ... Works: Poems (1851); Modern Love and Poems ofthe English Roadside, with poems and ballads (1862); Poems and Lyrics ofthe ...
The other-worldly essence and idealistic spirituality of their art is showcased in this heady collection of Pre-Raphaelite renderings from the masters of the period: John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti, Evelyn ...
This volume explores the lives and works of the central figures in the group: among others, the Rossettis, William Holman Hunt, John Everett Millais, Ford Madox Brown, William Morris and Edward Burne-Jones.
A provocative interdisciplinary study of the Victorian novel and Pre-Raphaelite art, this book offers a new understanding of Victorian novels through Pre-Raphaelite paintings.
The Pre-Raphaelite Brotherhood was a group of English painters, poets and critics, founded in 1848 by John Everett Millais, Dante Gabriel Rossetti and William Holman Hunt.
Anyone who has seen the work of the Pre-Raphaelites has been struck by the dreamy, luminous women portrayed in the paintings. But who were these women?
This catalog was "published by the Fine Arts Museums of San Francisco and DelMonico Books (Prestel) on the occasion of the exhibition of the same name at the Legion of Honor, San Francisco, from June 30 to September 30, 2018."
This first major publication about the Pre-Raphaelite movement in more than 15 years incorporates the swell of recent research into a comprehensive, up-to-date survey and comprises over 200 color reproductions, including masterpieces and ...