Matthew Barney: Redoubt is a comprehensive catalogue of the artist's newest project, which centers on a two-hour film that creates a complex portrait of the American landscape by layering classical, cosmological, and American myths about humanity's place in the natural world. In the film, the goddess Diana and her two attendants traverse the rugged terrain of Idaho's Sawtooth Mountains in pursuit of the elusive wolf, while an Engraver (played by Barney, b. 1967) furtively documents their actions in copper engravings and provokes a series of confrontations. The publication comprises hundreds of stills that track the film's narrative, as well as essays--some lyrical, others more objective--that approach Redoubt through disciplines such as ecology, art history, and dance. Also featured are the artworks made by Barney in conjunction with the film: electroplated copper engravings based on those his character makes and sculptures created by pouring molten metal through hollowed, burned trees harvested from the Sawtooth region. Taking a cue from Redoubt's mountainous setting, the overall design of the book evokes a field guide.
The film series The Cremaster Cycle is Matthew Barney's best-known work. In 1996, he was the first recipient of the Hugo Boss Prize, awarded by the Guggenheim Museum. This is a retrospective looking at key works over his career.
Matthew Barney: Cremaster 3
New York Times critic Michael Kimmelman has called Matthew Barney the most important American artist of his generation. Most known for his epic film series Cremaster Cycle (1994-2002) and Drawing...
Matthew Barney: 1987-2007
Essays by Nancy Spector and Neville Wakefield.
The definitive user's guide and then some to Matthew Barney's epic five-part epic film series, he Cremaster Cycle is filled with hundreds of Barney's fantastical images and surveys the project,...
Matthew Barney works in film, video, photography, drawing, installation and sculpture, as well as sound. This catalogue, produced in collaboration with the artist, documents works from the world-famous Goetz Collection...
Matthew Barney: New Work, San Francisco Museum of Modern Art, December 12, 1991 Through January 30, 1992
Matthew Barney: Drawing Restraint
In addition to a major essay by curator Klaus Kertess, who considers the many themes the artist draws from, the book includes a poetic contribution by artist Roni Horn and an insightful text by Adam Phillips, noted psychoanalyst.