The first comprehensive consideration of Life magazine's groundbreaking and influential contribution to the history of photography From the Great Depression to the Vietnam War, the vast majority of the photographs printed and consumed in the United States appeared on the pages of illustrated magazines. Offering an in-depth look at the photography featured in Life magazine throughout its weekly run from 1936 to 1972, this volume examines how the magazine's use of images fundamentally shaped the modern idea of photography in the United States. The work of photographers both celebrated and overlooked--including Margaret Bourke-White, Larry Burrows, Henri Cartier-Bresson, Frank Dandridge, Alfred Eisenstaedt, Fritz Goro, Gordon Parks, and W. Eugene Smith--is explored in the context of the creative and editorial structures at Life. Contributions from 25 scholars in a range of fields, from art history to American studies, provide insights into how the photographs published in Life--used to promote a predominately white, middle-class perspective--came to play a role in cultural dialogues in the United States around war, race, technology, art, and national identity. Drawing on unprecedented access to Life magazine's picture and paper archives, as well as photographers' archives, this generously illustrated volume presents previously unpublished materials, such as caption files, contact sheets, and shooting scripts, that shed new light on the collaborative process behind many now-iconic images and photo-essays.
This collection of 240 sepia-tone images presents the best and most striking pictures from Curtis's documentation of a traditional culture on the verge of extinction.
This book is the final culmination of the course "Documentary Photography: Japan" offered by Stephan Apicella-Hitchcock through the Department of Theatre and Visual Arts at Fordham University.
Jacob Riis
Photo Documentary: Recent Images of Everyday Life
Weird and Wonderful Sydney: Australian Photographic Agency 1953-73 : Gallery Guide
Ryder chronicles the story of this collective endeavor through carefully constructed black and white images, original text, and calculated slippages that challenge the authority of colonial values, the historical archive, and photography ...
Without a doubt, Birte Kaufmann's combination of reportage and documentary photography hits the right note and offers impressive insights into the Irish travellers' extraordinary world.
Joseph Chila and Samuel Finlak: Two Portrait Photographers in Cameroon
Estate: Robert Clayton
A trente-cinq ans, Félix Thiollier, industriel stéphanois, choisit de se consacrer à ses passions d'érudit local et d'amateur d'art.