It is a rare and remarkable book that provides a forum for actors to discuss, in their own words, their experiences, their craft, and the creative process that makes and informs a brilliant performance. This book of original interviews is just such a treasure. Tommy Lee Jones, Richard Dreyfuss, Aidan Quinn, Mary Steenburgen, Christine Lahti, Sydney Pollack, Lawrence Kasdan, John Sayles, and others - an impressive list of intellectual and articulate actors and directors - were interviewed for this book by Carole Zucker. Through these fascinating conversations, Zucker, a respected professor of cinema studies, explores the process by which talented actors and directors mold ideas and scripts into the living, breathing, and unforgettable characters that profoundly move and inspire us. Zucker explores the process by which these actors developed the skills needed for success. What drew them to acting? How did they train? What unique experiences did they have while rehearsing and shooting a film? She also asks questions of a broader nature. What emotional, mental, physical, and spiritual resources within themselves do these actors draw upon to enact an interpretation? What makes a great performance? What is the role of the actor in our society? This exceptional collection of honest and open discussions reveals a rich variety of backgrounds and training, and an even greater range of approaches to the craft of acting. In preparing for a role, some actors feel, as Lindsay Crouse, that "Most of what is required is inside me". Others rely on extensive research, the construction of elaborate character sketches, or, like Richard Dreyfuss, a deceptively simple, instinctual "mental image". Asfascinating as these differences are, a common thread emerges as well. As Zucker illuminates, each actor is steadfastly committed to reaching the "truth" of a character. "You're very translucent when you're on film", says Lindsay Crouse, "You are a figure of light; your soul comes through. You can tell, easily, when someone is really doing it or not". This book beautifully goes to the very heart of what makes acting so powerful and engaging. It celebrates the passion and intelligence, dedication and brilliance that fill and, ultimately, transcend the limits of the screen.
Suggests techniques for achieving a wide range of lighting effects and using light to express different moods in paintings of human figures
Staging and style -- Feuillade, or, Storytelling -- Mizoguchi, or, Modulation -- Angelopoulos, or, Melancholy -- Hou, or, Constraints -- Staging and stylistics.
From the Nobel Prize winner—one of the most highly acclaimed writers of the twentieth century—a novel set in the American South during Prohibition about hopeful perseverance in the face of mortality.
Poses have been carefully chosen to illustrate important effects such as foreshortening and perspective changes. With this guide, artists can achieve longer drawing sessions than they could when drawing from a model directly.
Regarding Young's work at the Royal Institution, see Peacock 1855, 134–137, Cantor 1970b, and Robinson 2006, 85–94. For details of his exposition of music and light in these lectures, see Pesic 2013c. 52.
In the simplest realization of how temporal order information across item representations is encoded and read-out of LTM, the top-down template from A4 to A3 learns this information while the conditionable pathway from A3 to A4 is being ...
This newly expanded and revised edition covers the latest developments in the field, providing the most up-to-date, concise, and comprehensive book available on these novel materials and their applications.
245 Ando, H. 200,203 Aneshansley, D. 133 Anllo-Vento, L. 74 Anstis.S.M. 214.215,220,241. 246 Anzai.A. 70,231 Arditi.A.R. 231 Aronson. ... A.T. 364 Baizer, J.S. 58.60 Baker, CL. 111.241,245,247 Bakin.J.S. 197,198 Ball.
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... period Little or none 0–7 days Shooting period 6–12 weeks 7–15 days Postproduction period 4–6 months 3–14 months Format 35 mm 16 mm or DVCAM Budget $8 million $35,000 FIGURE 1–2 Typical professional and student productions compared.