When singer Amy Winehouse was found dead at her London home in 2011, the press inducted her into what Kurt Cobain’s mother named the 27 Club. “Now he’s gone and joined that stupid club,” she said in 1994, after being told that her son, the front man of Nirvana, had committed suicide. “I told him not to….” Kurt’s mom was referring to the extraordinary roll call of iconic stars who died at the same young age. The Big Six are Brian Jones of the Rolling Stones, Jimi Hendrix, Janis Joplin, Jim Morrison of the Doors, Kurt Cobain and, now, Amy Winehouse. All were talented. All were dissipated. All were 27. Journalists write about “the curse of the 27 Club” as if there is a supernatural reason for this series of deaths. Others invoke astrology, numerology, and conspiracy theories to explain what has become a modern mystery. In this haunting book, author Howard Sounes conducts the definitive forensic investigation into the lives and deaths of the six most iconic members of the Club, plus another forty-four music industry figures who died at 27, to discover what, apart from coincidence, this phenomenon signifies. In a grimly fascinating journey through the dark side of the music business over six decades, Sounes uncovers a common story of excess, madness, and self-destruction. The fantasies, half-truths, and mythologies that have become associated with Jones, Hendrix, Joplin, Morrison, Cobain, and Winehouse are debunked. Instead a clear and compelling narrative emerges, one based on hard facts, that unites these lost souls in both life and death.
William Grant Still and the Fusion of Cultures in American Music
Carefully structured to link information directly to the CIM syllabus, this coursebook text offers a range of cases, questions, activities, definitions and study tips to support and test your understanding...
(Amadeus). In this first of three volumes, Paul Jackson begins a rich and detailed history of the early years of the Metropolitan Opera broadcasts, bringing to life more than 200 recorded broadcasts.
45905-1-2-3 Floating Down The old Green River ( Kalmar ) 31 Jul 15 A - 1825 BERT WILLIAMS : Vocal , with orchestra . ... 45912-1-2-3 Spring Morning Serenade ( Aubade Printanière ) ( P. Lacombe ) 4 Aug 15 A - 1805 PALIE K.LUA - DAVID K.
... as leader of Beethoven's ' Quintett , ' his colleagues being F. Cramer , Moralt , H. Gattie , and Lindley ; at the sixth concert ( May 31 , 1813 ) , he played second violin in a Quartet by Mozart . 128 According to F.G. Edwards ...
11 James W. Palmer's Shape - note hymnal was for sale in Lexington in 1826 : NEW MUSICK BOOK Just published , and for sale at J. W. Palmer's and W. W. Worsley's Book - Stores , “ THE WESTERN HARMONIC COMPANION ; Containing most of the ...
The Minstrelsy of England
In exploring the art of those who knew their instrument both as composers and as pianists, this book serves, in the words of pianist Stephen Hough, "both as a fascinating, exhaustive study of the riches of the past and as a stimulating ...
'This book is about much more than the birth of opera: it is about why opera has the ingredients it does--its arias, laments, happy endings, and its struggles between men, and women, and gods.
据贝多芬的学生,贝多芬传记的作者辛德勒的记述,他曾向贝多芬请教关于第五交响曲第一乐章主导动机的寓意,贝多芬回答说:“这是命运的叩门,命运就是这样敲门的。”后来人们就称第五交响曲为“命运交响曲”。