In the Beauty of the Lilies begins in 1910 and traces God’s relation to four generations of American seekers, beginning with Clarence Wilmot, a clergyman in Paterson, New Jersey. He loses his faith but finds solace at the movies, respite from “the bleak facts of life, his life, gutted by God’s withdrawal.” His son, Teddy, becomes a mailman who retreats from American exceptionalism, religious and otherwise, into a life of studied ordinariness. Teddy has a daughter, Esther, who becomes a movie star, an object of worship, an All-American goddess. Her neglected son, Clark, is possessed of a native Christian fervor that brings the story full circle: in the late 1980s he joins a Colorado sect called the Temple, a handful of “God’s elect” hastening the day of reckoning. In following the Wilmots’ collective search for transcendence, John Updike pulls one wandering thread from the tapestry of the American Century and writes perhaps the greatest of his later novels.
In the Beauty of the Lilies
Retrained, finely wrought ... Mr Crichton Smith shows us isolation, perplexity, loneliness, a combination of blindness and indifference' - New Statesman 'Mr Crichton Smith has an acute feeling for places...
How will two very different people find love—and survive the impossible circumstances of war?
But then winter comes, fast and furious, and Mary Call has to learn that the land where the lilies bloom is also a cruel and unforgiving place, and it may take more than a promise to keep her family together.
In the Beauty of the Lilies
In this new volume, Santmire maintains that those who would follow Jesus are mandated not just to care for the earth and all its creatures but also to contemplate the beauties of the whole creation, beginning with "the lilies of the field.
The enchanting story of two unlikely friends, a black ex-GI and the head of a group of German nuns, The Lilies of the Field tells the story of their impossible dream--to build a chapel in the desert.
Instead we go through our days too preoccupied, too compulsive, and too dissatisfied to really be able to be present for and celebrate our own lives,” Ronald Rolheiser writes in the introduction to this powerful collection of essays.
But if there is any justice in that future, Kasischke is one of the poets it will choose.” —Boston Review “Kasichke’s poems are powered by a skillful use of imagery and the subtle, ingenious way she turns a phrase.” —Austin ...
“Brilliant . . . Here is the conflict of real ideas; of real personalities; here is a work of intellectual imagination and great charity.