From David Puttnam—producer of such modern film classics as Chariots of Fire, The Killing Fields, Midnight Express, and The Mission, and the only European to have run a major Hollywood studio—an insightful and provocative history that explains the personalities and events which shaped film's transformation from a technological curiosity into one of the world's most powerful cultural and economic forces. From the early rivalry between its inventors to the power-brokering and political influence of today's mega-stars; from Zukor and Laemmle to Ovitz and Eisner; from the serendipitous discovery of Los Angeles ("flagstaff no good," wired Cecil B. De Mille. "want authority to rent barn for $75 a month in place called hollywood") to the exploitation and depredation of Europe's film culture in the name of the marketplace, Puttnam captures the urgency and wonder that swept through a young industry and set it spinning on an axis of money and power. Movies and Money chronicles the unprecedented collision between art and commerce, and incisively analyzes its implications in today's global arena. Puttnam's engaging history is also an impassioned polemic: From the moment Thomas Edison stole the first crude attempt at a movie camera from the French scientist Étienne Jules Marey, Hollywood and Europe have existed, the author claims, in a state of undeclared hostility—hostility that has occasionally erupted into open battle for control of the century's most powerful artistic medium. And this battle, he contends, will ultimately determine the nature of Europe's cultural identity. He also argues forcefully for the intelligent application of the language and techniques of cinema to education, urging filmmakers to make films that challenge and inspire as well as entertain. Ten years after his abrupt departure from Columbia, Puttnam re-enters the debate about cinema with characteristic audacity, with the irreverence of an iconoclast and the canniness of a seasoned player. Movies and Money is a book that will change our understanding of the history—and future—of film.
This book is about the practical realities of the film market today and how to make a film while minimizing financial risk.
Designed for would-be filmmakers of all experience levels, this book explains how to make a good, commercially successful, low-budget movie in the current multi-million dollar Hollywood climate.
The very first step by step instruction manual on how to make money making movies.
Indie Record Net Profits Deal (Scenario 2) (Phone Call) RECORD COMPANY EXECUTIVE: As you know, we're an indie label and our deals are net profit split agreements which are different from your standard record deal.
If you are interested in Hollywood today and the complex and fascinating way it has evolved in order to survive, you haven't seen the big picture until you've read "The Big Picture. "From the Hardcover edition.
Go through the film making process from story development to movie release and avoid the pit falls most film makers fall into. These are the realities of the business where the show must go on.
Tim Adler introduces us to the mavericks and adventurers of modern-day cinema, in candid interviews with Michael Douglas (a producer who became an actor by mistake), Dino De Laurentiis (last of the great moguls), Duncan Kenworthy and Andrew ...
Now, for the first time, he shows you exactly how you can raise the money you need to make your films.All you have to do is pay attention and carefully follow the 7 Steps to Raising Money for Your Movie in this book.Nobody said that making ...
... movie appearances , including 10 Things I Hate About You , Not Another Teen Movie , Jimmy Kimmel Live !, The Late Late Show with Craig Ferguson , Chelsea Lately , The Martin Short Show , Comics Unleashed , and numerous VH1 shows .
How to Make Big Money with Little Movies