Boone Adams: He was so smart he wrote half the English papers for the freshman class, when he wasn't getting drunk at night and waking up hung over in the morning. To him life was full of promise . . . just the ones it didn't intend to keep. Jennifer Grayle: She was the campus golden girl, so rich, so pretty, that every boy wanted to take her out. Except Boone. He wanted to marry her. John Merchent: He was tall and blond with blue eyes and a cleft in his chin like Cary Grant's. He didn't have Boone's lively imagination, but he had something else: Jennifer. Praise for Love and Glory “[Robert] Parker writes with economy and precision and wit and passion. . . . Love and Glory [is] one of the best love stories I've ever encountered.”—The Press-Chronicle “A straightforward, unrelenting, shamelessly romantic novel that's about a two-year obsession. . . . It works . . . [and] love stories that work are almost an extinct breed. Almost.”—Santa Cruz Sentinel “Parker's writing is like fine architecture or music—it's both intricate and direct. There are no false notes.”—Chicago Sun-Times
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Real love. Love, glorious love. Want to meet him, this guy that changed my life? I know that you do, so come on, let me tell you the story.
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... the Cambridge Bible for Students in many volumes, Stanley's Life of Arnold, Coplestone's Prælectiones Academicæ, commentaries, dictionaries, first editions of Tennyson, ... There was a concatenation accordingly, every link in which ...
Mrs FitzPatrick had a portrait that she says John Opie had painted of Ann Nelson : not only does the painting apparently fail to identify its subject as Ann or anybody else , but she was not in London at the same time as Opie .