A multigenerational saga focuses on two extraordinary women, including Rose, a tyrannical Communist who terrorizes her neighborhood with her absolute beliefs, and her daughter Miriam, who embraces the counterculture of Greenwich Village.
“Here, Barry, I brought you something too.” He slapped at his pockets until he found it: a fresh pack of Kools, which he tossed to Barry's lap. “You know that warning about how smoking is bad for your health? Very few people realize I ...
There is only one problem: the Complainer wants in. BONUS MATERIAL: This edition includes an excerpt from Jonathan Lethem's Dissident Gardens.
One the irrepressibly inventive Jonathan Lethem could weld science fiction and the Western into a mesmerizing novel of exploration and otherness, sexual awakening and loss.
Naomi Kandel and Harriet VVelk. There was something tragical about the men who worked downtown, ... It was too long since I'd read a II€'\\'S[J'
A lighthearted mock-treatise reflects upon the pains and rewards of tending a small garden plot. "This very entertaining volume with its delightfully humorous pictures should be read by all gardeners." — Nature.
In Singapore, his luck turned. Maybe it had something to do with the Blot - a black spot which has emerged to distort Bruno's vision. It's not showing any signs of going away.
A constellation of previously published pieces and new essays as provocative and idiosyncratic as any he’s written, this volume sheds light on an array of topics from sex in cinema to drugs, graffiti, Bob Dylan, cyberculture, 9/11, book ...
Ingenious, hilarious, and genuinely mind-expanding, As She Climbed Across the Table is the best boy-meets-girl-meets-void story ever written.
In Jonathan Lethem's wryly funny novel, we meet a young man named Chaos, who's living in a movie theater in post-apocalyptic Wyoming, drinking alcohol, and eating food out of cans.
Alfred, Lord Tennyson. 1875. Idylls of the King and Other Poems (London: Henry S. King). Illustrated with photographs by Julia Margaret Cameron (1815–79) 22 'At the Park Gate' (1878). Oil on canvas, John Atkinson Grimshaw (1836–93).