This is a classic American tale of dreams and obsession--the suspenseful, brilliantly written account of one eccentric man’s hunger to open space travel to us all: to let us rocket into orbit, return to earth, and soar yet again--thus transforming space travel forever. They All Laughed at Christopher Columbus Gary Hudson was seven years old when Sputnik flew, nineteen when Neil Armstrong set foot on the moon, and all he ever wanted to do was to travel into space. Between 1970 and 1996 he founded and disbanded five separate rocket-building companies, none meeting with much success. Then, in 1997, at the age of forty-seven, he launched Rotary Rocket. His goal was to develop and build the Roton, the world’s first manned, single-stage-to-orbit, fully reusable spaceship, capable of shuttling ordinary people into orbit and back in a single day. Elizabeth Weil followed Gary for two years, and in this book she brings to vivid life a seductively--perhaps delusionally--optimistic world where science and science fiction meld and fuse, and where imagination and invention collide. In California’s bleak and windswept Mojave Desert, Gary assembled a fanatical, mismatched crew of engineers and technicians, and Weil bears witness to their Roton endeavor, from first conception to final test flight. The cast includes a pyromaniacal engineer, a world expert on composite airframes, two former Navy test pilots, Gary’s infinitely patient wife, a third-generation Mojave motel owner, and an enigmatic and resourceful financier. At their center shines Gary himself, a man eternally reflecting the glow of a better, lighter, higher world--a world that, despite his flaws and failures, he perpetually convinces us we’re all about to reach.
George Gershwin biopic, Rhapsody in Blue, released in 1945. IwENt tO SAM GOLDwYN,JR.'S HOUSE wItHJUNEand PLAYED tHE SAME PIANO. Oscar Levant, Jesse Lasky, Ira, Leonore, and Robert Alda during the filming of the Oscar Levant, Jesse Lasky ...
In 1957, Page Cavanaugh, the great pianist, It's not just in unpublished music that trea- sures await—there are albums full of neglected songs. In 1957, Page Cavanaugh, the great pianist, made an album called Fats Sent Me, ...
BEpoRE THE PARADE PAsses BY Before the parade passes by, I'm gonna go and taste Saturday's high life: Before the parade passes by, I'm gonnaget some life back into my ...
“ Changing My Tune , ” Betty Grable , The Shocking Miss Pilgrim , 1947 . * “ Clap Yo ' Hands , ” Harland Dixon , Betty Compton , Paulette Winston , Constance ... “ Dear Little Girl , ” Oscar Shaw and ensemble , Oh , Kay ! 1926 .
Omohundro Institute of Early American History and Culture for the essay: Doron BenAtar (1995), ... Tulane Law Review Association for the essay: Jane C. Ginsburg (1990), 'A Tale of Two Copyrights: Literary Property in Revolutionary ...
Levy tells the inside story of the demise of the New York City Opera, the Metropolitan Opera's need to use as collateral its iconic Chagall tapestries in the face of mounting operating losses, and the New York Philharmonic's dalliance with ...
RHINEGOLD STUDY GUIDES This guide is a workbook that you can use throughout the OCR AS Performance Studies course as an ... and Theatre Studies (AQA and Edexcel) ✦ AS and A2 Religious Studies (AQA, Edexcel and OCR) ✦ GCSE Music (AQA, ...
This is an account of the range, dexterity and ingenuity of Nazi public relations.
The meanings behind the laughter of the romance's individual characters also become entirely altered when the romance is confronted anew by its audience, and the truth behind the challenge of the Green Knight, the hunting and the ...
Furnishes over five thousand quotations, including classic one-liners, quips, and put-downs from such personalities as Groucho Marx, Oscar Wilde, William Shakespeare, Tom Stoppard, Jane Austen, and Dorothy Parker.