In his remarkable memoir, at once frank, audacious, canny, and revealing, Michael Korda, the author of Charmed Lives and Queenie, does for the world of books what Moss Hart did for the theater in Act One, and succeeds triumphantly in making publishing seem as exciting (and as full of great characters) as the stage. Another Life is not just an adventure--the engaging and often hilarious story of a young man making his career--but the insider's story of how a cottage industry metamorphosed into a big business, with sometimes alarming results for all concerned. Korda writes with grace, humor, and a shrewd eye, not only about himself and his rise from a lowly (but not humble) assistant editor reading the "slush pile" of manuscripts to a famous editor in chief of a major publishing house, but also about the celebrities and writers with whom he worked over four decades. Here are portraits--rare, intimate, always keenly observed--of such larger-than-life figures as Ronald Reagan, affable and good-natured but the most reluctant of authors, struggling with his "ghosted" presidential autobiography; Richard Nixon, seen here as a genial, if bizarrely detached, host; superagent Irving Lazar, pursuing his endless deals and dreams of "class"; retired Mafia boss Joseph Bonanno, the last of the old-time dons, laboring over his own version of his life in his desert retreat; Joan Crawford, giving Korda her rules for successful living; and countless other greats, near greats, and would-be greats. Here too are famous writers, sometimes eccentric, sometimes infuriating, sometimes lost souls, captured memorably by someone who was close to them for years: Graham Greene, in pursuit of his FBI file and a Nobel Prize; Tennessee Williams, wrestling unsuccessfully with his demons; Jacqueline Susann, facing and conquering the dreaded "second-novel syndrome" after the stunning success of Valley of the Dolls; Harold Robbins (who had to be guarded under lock and key and made to finish his novels), struggling to keep the IRS at bay from the deck of his yacht; Carlos Castaneda, at his most sorcerously charming, described--at last--in detail, as he really was, by one of the few people who knew him well; not to mention Richard Adams, Will and Ariel Durant, Susan Howatch, S. J. Perelman, Fannie Hurst, Larry McMurtry, and many, many more. Parts of this book that have appeared in The New Yorker over the years have brought Korda great acclaim--the chapter about Jacqueline Susann has been made into a major motion picture. Here at last, entertaining and provocative and always hugely readable, is the whole story--a book as engaging and full of life as Korda's highly acclaimed memoir of his family, Charmed Lives, about which Irwin Shaw wrote: "I don't know when I have enjoyed a book more."
Encompassing questions of identity, religion, race, and family, Another Life is an absorbing and thought-provoking debut about the line we all walk between desire and responsibility.
Defying five generations of naysayers, this is a community that works.
Before their friendship can blossom, though, a tragic accident cuts their story short. They will meet again. But this is only one of the many connections they share.
As the two alternate realities run their course, Maybe in Another Life raises questions about fate and true love: Is anything meant to be? How much in our life is determined by chance?
At seventy-seven, struggling with the weight of writer’s block, Theodor Kallifatides makes the difficult decision to sell the Stockholm studio where he diligently worked for decades and retire.
... Nicolas tossed a glance over his shoulder at Lia, his eyebrows raised. “Lia, tu viens? Are you coming?” “J'arrive. I'm on my way,” she replied. The sounds of.
When Pryce, a government-connected shadow-man, offers Burke up-to-date medical services for "the Prof" and a pardon in exchange for a dangerous mission, Burke takes on the job to rescue the kidnapped son of a Saudi prince.
Gifted author Donna Anders is a master of psychological suspense -- Ann Rule called her last novel,The Flower Man,"as terrifying as a footstep next to your bed at midnight.
Kicked out of yet another boarding school, Archie couldn't be happier to find himself back in London with old friends and an exciting social life.
Both meditative and cinematic, engaging both playfully and ardently with the Odyssey and Alice Oswald's Memorial, this book chronicles a constellation of relatives pushed into the light by the centripetal force of death.