The history of African American performance and theatre is a topic that few scholars have closely studied or discussed as a critical part of American culture. In this fascinating interdisciplinary volume, David Krasner reveals such a history to be a tremendously rich one, focusing particularly on the end of the nineteenth and the beginning of the 20th century. The fields of history, black literary theory, cultural studies, performance studies and postcolonial theory are utilized in an examination of several major productions. In addition, Krasner looks at the aesthetic significance of African American performers on the American stage and the meaning of the technique entitled "cakewalking." Investigating expressions of protest within the theatre, Krasner reveals that this period was replete with moments of resistance to racism, parodies of the minstrel tradition, and double consciousness on the part of performers. An enlightening work which unveils new information about its subject, Resistance, Parody, and Double Consciousness in African American Theatre offers insights into African American artistry during an era of racism and conflict.
In this fascinating interdisciplinary volume, David Krasner reveals such a history to be a tremendously rich one, focusing particularly on the end of the nineteenth and the beginning of the twentieth century.
“ Lydia Maria Child and the Endings to Harriet Jacobs's Incidents in the Life of a Slave Girl . ” American Literature 64 ( 1992 ) : 255–72 . Mitchell , Angelyn . “ Her Side of His Story : A Feminist Analysis of Two Nineteenth - Century ...
But because you was colored, honey, this town had no place for you, nothing for you to do. MULATTO GIRL So one day, sitting on old Mrs. Latham's back porch polishing the silver, working for two dollars a week, I asked myself two ...
"This revised and expanded Black Theatre U.S.A. broadens its collection to fifty-one outstanding plays, enhancing its status as the most authoritative anthology of African American drama with 22 new selections....
In 1965, Langston Hughes expressed sympathy for those motives that had fostered Bullins' attempt. He had, in fact, nurtured these same ideals since the beginning of his own career in the 1920s: There is a very great need for a serious ...
2 (December): 60–62, 64, 66, 68. Mims, Greg. 1973. “'Spook': Thought Provoking, Relevant Drama.” New Pittsburgh Courier 17, no. 3 (November 1973). Moon, Spencer. 1997. Reel Black Talk: A Source Book of 50 American Filmmakers.
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
In Harlem Renaissance Lives, from the African American National Biography, edited by Henry Louis Gates and Evelyn Brooks Higginbotham, 103–4. New York: Oxford University Press, 2009. Brown, Lois. Encyclopedia of the Harlem Literary ...
Cedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century.