The main theater critic for The New York Times shares his selection of favorite photographs and reviews from the paper. 20,000 first printing.
London: J. Ridgway, H. D. Symonds, and D. Holt, 1795, II, 315. 23 John Jacob Astor, then amassing: Longworth's American Almanac, New-York Register, and City Directory. New York: Thomas Longworth. (Editions for 1798, 1803, 1813, ...
Provides the original "New York Times" reviews of over one hundred of the most important Broadway musicals and revivals, and highlights the most legendary shows, composers, choreographers, and performers of their times.
Seldes escorted Carter into the wings. Then she wheeled on Baker: “Don't you ever, ever break character! They won't believe us when we go back on again.” Carter's performance was attracting attention. McCann got a call from Carter's ...
And if Grace is to have a chance at love, she must not only choose a side, but take a stand. Come from Away is a mesmerizing story of love, shifting allegiances, and second chances, set against the tumultuous years of the Second World War.
Rodgers and Hammerstein's Broadway Revolution Todd S. Purdum ... He tended to moralize a great deal, and this came across in Allegro more than in anything ...
. . In Girl from the North Country, Conor McPherson beautifully weaves the iconic songbook of Bob Dylan into a show full of hope, heartbreak and soul.
Gary Pearlman of the Palm Beach Times attended his funeral. “No one cried,” he noted. He overheard two women discussing the ... “Quite frankly, we'd never heard of him,” Smith said. “I knew 'Sweet Caroline,' but that was about it.
(Vocal Selections). Six has received rave reviews around the world for its modern take on the stories of the six wives of Henry VIII and it's finally opening on Broadway!
Swallow it down—what a jagged little pill . . . Jagged Little Pill: The Novel follows the intertwining lives of five teens whose world is changed forever after the events at a party.
... to Martin Lawrence's side-splitting ghetto diva Sheneneh on his hit television sitcom Martin, to Tyler Perry's Madea—Hallelujer! Society's capacity to receive these heterosexual men, in full drag, without any pushback, was the norm.