Best remembered today for her acclaimed 1928 expressionist drama Machinal, based in part on the infamous murder trial of Ruth Snyder, Sophie Treadwell was an innovative American dramatist whose career spanned almost 60 years and nearly 40 plays. A relentless experimenter in dramatic subjects, styles, and forms, Treadwell was one of a select number of American women playwrights who also actively produced and directed their own works. She was also a professional journalist, and she constantly used her writings to explore women's personal and social struggles for independence and equality. This is the first book to chronicle her many achievements. The volume includes a career and biographical overview, detailed plot summaries and critical introductions to her plays, an annotated bibliography of works by and about her, and an exhaustive production history.
Studies of American theatre have too long omitted the accomplishments of Sophie Treadwell. Although best remembered today for only a single work, the explosive 1928 drama Machinal, Treadwell maintained a career in the theatre that spanned close to 60 years and included the authorship of approximately 40 plays. At a time when women playwrights were growing steadily among the ranks of Broadway dramatists, Treadwell was one of a select few of these women who also actively produced and directed their own plays. She became a relentless and articulate advocate for the commercial and artistic rights afforded playwrights on Broadway and around the world. She experimented with a range of dramatic structures and styles, and often tackled timely or controversial subjects which she knew would prove unpopular with commercial producers. Most significantly, she continually placed female characters in subject positions in her plays and dramatized women's personal and social struggles for independence and equality.
In spite of her achievements, Treadwell has been largely overlooked. But after highly prominent revivals of ^IMachinal^R by the New York Shakespeare Festival in 1990 and London's Royal National Theatre in 1993, she has begun to be recognized for her enormous contributions to the American stage. This volume is a comprehensive reference guide to her life and work. A biography and chronology summarize the most important events in her career. The book then presents summaries and critical overviews of her many plays. The work includes an extensive annotated bibliography of primary and secondary sources, and it concludes with production histories for her works.
Outlines the plot and characters of this groundbreaking play; explains the production, historical context, and themes; and includes critiques and reactions of scholars.
Cyrus Hoy, Thomas Dekker Fredson Bowers. but this identification is by no means regarded as certain , ' Hand C is that of a theatrical scribe , Hand D has been attributed to Shakespeare , 3 Hand E has been identified as Dekker's.4 ...
The Oxford Challenge to the Bard of Avon Richard F. Whalen, S. Schuster ... 168 n.6 Saintsbury , George , 4 Schoenbaum , S. , 5 , 12-13 , 43 , 96 , Spurgeon , Caroline F. E. , 156 n.11 Stanley , William ( sixth earl of 102 , 119 Sears ...
Although the satirical and comic drive of McDonagh's revivalist modernist play seems – as might his A Skull in Connemara – to exist on the basis of racist stereotypes like the 'ugly pugnacious ape-like cartoon figures of individual ...
128 See John Walton Tyrer , Historical Survey of Holy Week : Its Services and Ceremonial , Alcuin Club Collections 29 ( London : Oxford University Press , 1932 ) , esp . 58 ; and see also this occasion was important for other reasons ...
... Davies , The Autobiography of moves to Gaiety Theatre ; Craig a Super - Tramp ; Grahame , starts The Mask in Florence The Wind in the Willows 1909 Scottish Repertory Theatre Florence M. Barclay , The established by Arthur Wareing ...
A beautiful and haunting tale of love, betrayal, knowledge, and power, Life's a Dream (La vida es sueño, 1636) is the best known and most widely admired play of Catholic Europe's greatest dramatist, Pedro Calderón de la Barca.
This work focuses on Marlowe's works as an index of the major transformation of Elizabethan theatrical practices. In the opening chapter, Cole reviews the unusually intriguing historical record of Marlowe's life outside the theatre.
Because of his Welsh name, Jenkins is often suggested as a model for Shakespeare's Welsh characters, particularly the schoolmaster Hugh Evans in The Merry Wives of Windsor; however his roots were not in Wales at all but in London and at ...
... 330, 331 Rex Vivus (King of Life), 259, 288-9 rhapsodes, 227 Richard II, 156-7, 232, 238-9 'Rickinghall Fragment', 230 Robin Hood, 33, 133-8, 142, 143, 146-7, 237, 310, 318; A Merry Gest of Robin Hood, 137; Paston's reference to, ...