Tom Waits's distinctive, bourbon-soaked growl, his unique persona, and his incorporation of musical styles from blues to experimental to vaudeville have secured for him a top-shelf cult following and an extraordinary critical respect. The idea of the Wanderer - someone who seeks an escape from all of life's problems, and dreams himself into oblivion - serves as the fundamental personality type around which all Waits's music revolves. Ten years of producing and touring with Waits's macabre folktale adaptation across Canada and the U.S. has given author Corinne Kessel direct access to his work, creative process, and his associates. In this comprehensive analysis, Kessel examines all of the many characters that have appeared throughout the course of Waits' musical career, from Closing Time (1973) to Orphans: Brawlers, Bawlers, and Bastards.
His raw form of expression and his evocative lyrics work together to form an emotional chronicle of society's misfits, outcasts, and lowlifes. He is not the sort of composer to chase after shiny red fire trucks to awesome blazing fires, but instead looks after the intangible dreams found dissipating in the last wisp of smoke from a cigarette, held in the weathered hands of a broken soul. Here, author Corinne Kessel pursues Waits into this distinctly murky and unsettled atmosphere to address in particular Waits's enduring questions of reality, landscape, and identity.
一個總是大放厥詞,在小眾藝文圈四處縱火的恐怖分子,十年來最深情的音樂文字告白!《破報》專欄樂評人中坡不孝生,以一種政治不正確的音樂文字書寫方式,用紙漿與油墨做了 ...
大師,不藏私 回歸音樂的本質,全面藝術性的思考 大鋼琴家在舞台上精彩演出,魅力四射。下台後,有些人把這些藝術家想像成在巴黎某個陰暗酒館中啜飲著苦艾酒、醉生夢死的英 ...
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