A gripping narrative that captures the tumult and liberating energy of a nation in transition, Sweet Soul Music is an intimate portrait of the legendary performers--Sam Cooke, Ray Charles, James Brown, Solomon Burke, Aretha Franklin, Otis Redding, and Al Green among them--who merged gospel and rhythm and blues to create Southern soul music. Through rare interviews and with unique insight, Peter Guralnick tells the definitive story of the songs that inspired a generation and forever changed the sound of American music. This enhanced edition includes: Exclusive video footage prepared specifically for the enhanced eBook that has never been seen before. Rare audio clips.
Sweet Soul Music
Sweet Soul Music
This volume tells the story of the birth of rhythm-and-blues.
Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom
SWEET SOUL MUSIC profiles the legendary artists--among them Sam Cook, Ray Charles, Aretha Franklin, Otis Redding, and Al Green--who merged gospel and rhythm and blues.
MYSTERY TRAIN All quotes from SamPhillips, Marion Keisker, ScottyMoore, and Dixie Locke are from the author's interviews, unless otherwise noted. a man who hadit in his power: Neal and Parker conferred in Memphis all day on June 17, ...
The company opened in 1962 as a booking agency, Malaco Attractions, started by two enterprising white southerners, Tommy Couch and Wolf Stephenson. Couch and Stephenson—both of whom grew up on the same eclectic musical diet as their ...
Most of these Mastercuts ' three - volume Classic Rare Groove series provides a sampling of the early- were used as album filler in the late ... Leon Ware's “ Why I Came to California , ” Breakwater's “ Say You Love ing collection .
... persistent presence worries the population of Oak Hill Cemetery because “ [ t ] hese young ones are not meant to tarry ” in this place ( Saunders 2017 , 31 ) . Alarmed by what will happen to the boy should he remain any longer , several ...
In retrospect , however , he recognized his own naivete in assuming that racial solidarity , rather than economic and status considerations , would automatically dominate the agendas of black capitalists like Murray .