Excerpt from The Frank C. Brown Collection of North Carolina Folklore, Vol. 4 of 7: The Music of the Ballads William A. Neilson, writing in the first edition of Encyclopedia Americana (1918) says: Thus, the life of a modern poem begins when it is committed to paper; a ballad then begins to die. Having this in mind, it was reluctantly and with serious concern that this editor, after two weeks Of consideration, finally accepted the invitation extended to him by the late Dr. Newman I. White, the general editor Of this Collee tion, to join his editorial staff. This meant to take over the transcription Of the recordings of more than one thousand ballads and songs, and the editing of volumes IV and V which contain the music of the ballads and songs. It was only the hope that these transcriptions of the tunes recorded by Dr. Brown might serve someone Who loved this precious heritage to refresh his mind, recall impressions of earlier days and thus relive them in happy reminiscence, which assuaged the troubled mind of this editor. Perchance, they might also serve to introduce some persons to tunes they never heard before, or at least not in the versions given here. They might thus add to the store of treasures which have come down to us from the early settlers on this continent. And so, it was the hope such persons might sing the airs for themselves and others, and, in the course of time, the Old process of 'collective composition' would take up where it left Off, and our ballad tradition, oral as usual, would again come to life. When Dr. White approached this editor some years ago, he said there were more than a thousand songs recorded by Dr. Brown, but that all of them, not counting the ones destroyed in transit to the Library of Con gress, had been transferred by technicians of the Library using the best of recording discs and the most modern means available today. On the strength of this and this writer's familiarity with the excellence of work done by the Music Division of the Library of Congress, he accepted the task. Only later did Dr. White inform him that Dr. Brown, in his enthusiasm over his recordings, had played these records (wax cylinders) numerous times for his students, without so much as changing needles. The result was that the 'dubbing' reproduced the resultant scratch of the needle with a disconcerting degree of fidelity. Add to this the fact that too many of the cylinders, while not totally destroyed in transit, were cracked enough so that the needle used in playing them produced, in passing over the cracks, a sound pattern similar to that of a railroad car passing over the joints of the tracks. This is mentioned only to explain to some degree why it has taken so very long before even the part con taining the ballads could appear. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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2, footnote cites uvedale Price, An Essay on the Picturesque, as compared with the sublime and the beautiful, and, on the use of studying pictures for the purpose of improving real landscape (London: printed for J. Robson, 1794), p.