This uniquely comprehensive assessment of the role of the media before, during and after wars draws on examples from the 20th century's total wars as well as limited wars, terrorist campaigns, and complex emergencies such as Rwanda and Somalia. It argues that the media's performance in wartime may result as much from peacetime journalistic practices as from the special circumstances of war. The book concludes by assessing the impact of new communications technology and how the representation of future wars is likely to differ from those in the past.
Linda Nochlin, Women, Art and Power and Other Essays (London: Thames & Hudson, 1989), p. 24. Gay L. Gullickson, 'La Pétroleuse: Representing Revolution', in Feminist Studies 17, no. 2, summer 1991, pp.
By examining the use of media as an instrument of warfare and analyzing the construction of public opinion in mediated electronic warfare, this book clearly shows the difference in perspectives between public opinion in the US and the rest ...
Dying for the Truth: The Concise History of Frontline War Reporting
This book assesses the effects of 9/11 and its aftermath on the political, cultural and professional contexts of news.
The volume is completed with reviews and brief descriptions of relevant new publications and a bibliography of literary, linguistic, historical, film and art studies published in 2007.