NEW YORK TIMES BESTSELLER A resourceful runaway alone in the wilds of Los Angeles, twelve-year-old Billy Straight suddenly witnesses a brutal stabbing in Griffith Park. Fleeing into the night, Billy cannot shake the horrific memory of the savage violence, nor the pursuit of a cold-blooded killer. For wherever Billy turns—from Hollywood Boulevard to the boardwalks of Venice—he is haunted by the chuck, chuck sound of a knife sinking into flesh. “Taut, compelling . . . Everything a thriller ought to be. The writing is excellent. The plotting is superior. The characters ring true.”—USA Today As LAPD homicide detective Petra Connor desperately searches for the murderer, as the media swarms mercilessly around the story, the vicious madman stalks closer to his prey. Only Petra can save Billy. But it will take all her cunning to uncover a child lost in a fierce urban labyrinth—where a killer seems right at home. BONUS: This edition includes an excerpt from Jonathan Kellerman's Guilt.
Billy Straight
Wanneer een straatjongen getuige is geweest van een afschuwelijke moord, gaat de politie van Los Angeles op onderzoek uit.
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Between January 1956 and July 1958, Janis Martin recorded thirty or so songs in eight recording sessions in Nashville, all produced by Chet Atkins. That also is to the best of Janis's recollection. There's a whole lot more to Janis's ...
He'd been home with her all night, Marta was having a girl's night out. ... One even said she thought he'd done it. ... Sometimes they jump clear out of the pond and if I don't get there in time, I've got a dead fish.
"When Billy Summers was twelve years old, He shot and killed his mother's boyfriend after he kicked Billy's sister to death.
Barely blond, not-at-all voluptuous Melinda Kantor. “Oh yeah, her. She's a stoner, right?” “Is she?” he said. The girl shrugged. She had a long, pretty face, a bit equine. Two-inch nails glossed aqua, no bra. Milo said, “Does she hang ...
... to Martin Lawrence's side-splitting ghetto diva Sheneneh on his hit television sitcom Martin, to Tyler Perry's Madea—Hallelujer! Society's capacity to receive these heterosexual men, in full drag, without any pushback, was the norm.
“I know Billy! You can be an ally!” Billy chuckled too. In all seriousness, Joaquin looked at Billy straight in his eyes and said “to us it is a matter of survival, this struggle has been the destroyer of our souls.
Billy's straight-faced delivery had left little doubt that his proposal was meant to be taken seriously " CI ikkm aster," said Nelson. "You are the man with the plan. You hear that?" he said, turning to Jake. "He's gonna start writing ...