In his acclaimed collection Tales Before Tolkien, Douglas A. Anderson illuminated the sources, inspirations, and influences that fired J.R.R. Tolkien’s genius. Now Anderson turns his attention to Tolkien’s colleague and friend C. S. Lewis, whose influence on modern fantasy, through his beloved Narnia books, is second only to Tolkien’s own. In many ways, Lewis’s influence has been even wider than Tolkien’s. For in addition to the Narnia series, Lewis wrote groundbreaking works of science fiction, urban fantasy, and religious allegory, and he came to be regarded as among the most important Christian writers of the twentieth century. It will come as no surprise, then, that such a wide-ranging talent drew inspiration from a variety of sources. Here are twenty of the tributaries that fed Lewis’s unique talent, among them: “The Wood That Time Forgot: The Enchanted Wood,” taken from a never-before-published fantasy by Lewis’s biographer and friend, Roger Lancelyn Green, that directly inspired The Lion, the Witch, and the Wardrobe; E. Nesbit’s charming “The Aunt and Amabel,” in which a young girl enters another world by means of a wardrobe; “The Snow Queen,” by Hans Christian Andersen, featuring the abduction of a young boy by a woman as cruel as she is beautiful; and many more, including works by Charles Dickens, Kenneth Grahame, G. K. Chesterton, and George MacDonald, of whom Lewis would write, “I have never concealed the fact that I regarded him as my master.” Full of fascinating insights into Lewis’s life and fiction, Tales Before Narnia is the kind of book that will be treasured by children and adults alike and passed down lovingly from generation to generation. INCLUDING SEVENTEEN MORE WORKS BY THE PROGENITORS OF MODERN FANTASY AND SCIENCE FICTION: “Tegnér’s Drapa” by Henry Wadsworth Longfellow “The Magic Mirror” by George MacDonald “Undine” by Friedrich de la Motte Fouqué “Letters from Hell: Letter III” by Valdemar Thisted “Fastosus and Avaro” by John Macgowan “The Tapestried Chamber; or, The Lady in the Sacque” by Sir Walter Scott “The Story of the Goblins Who Stole a Sexton” by Charles Dickens “The Child and the Giant” by Owen Barfield “A King’s Lesson” by William Morris “The Waif Woman: A Cue—From a Saga” by Robert Louis Stevenson “First Whisper of The Wind in the Willows” by Kenneth Grahame “The Wish House” by Rudyard Kipling “Et in Sempiternum Pereant” by Charles Williams “The Dragon’s Visit” by J.R.R. Tolkien “The Coloured Lands” by G. K. Chesterton “The Man Who Lived Backwards” by Charles F. Hall “The Dream Dust Factory” by William Lindsay Gresham
McKay sprang to his feet howling like a wolf. The clamor of the forest had grown stronger. “Kill!” it roared. “Kill!” The unmaimed son had raised his ax. He brought it down upon the trunk of a birch, half splitting it with one blow.
A collection of stories, plays, histories, maps, and sketches created by the author and his older brother as children to describe their private fantasy world known as Animal-Land or Boxen.
SUMMARY: A collection of maps, histories, sketches, and stories created by C.S. Lewis as a child to describe his private fanyasy world, known as Animal-Land or Boxen. A scholarly introduction...
All seven Chronicles are bound together in this one magnificent volume with a personal introduction by Douglas Gresham, stepson of C. S. Lewis.
From Defoe and Stevenson, possibly Walter Scott, and any number of less exalted authors, they have acquired this idea of adventure, and they don't consider themselves to be excluded from it simply because they're children.
This edition presents all seven books -- unabridged -- in one impressive volume. The books are presented here according to Lewis' preferred order, each chapter graced with an illustration by the original artist, Pauline Baynes.
This collection contains all seven books in the classic fantasy series The Chronicles of Narnia without art, to appeal to older readers.
This picture book biography introduces the beloved creator of The Chronicles of Narnia to a new generation of children who see hidden magic in the world around them.
It was cold stone . He had been frightened of a mere statue ! The relief which Edmund felt was so great that in spite of the cold he suddenly got warm all over right down to his toes , and at the same time there came into his head what ...
Praise for Into the Wardrobe "Into the Wardrobe will be best enjoyed by fans who have read the entire series, but those who haven't may be so impressed by Downing's exploration of Lewis's deep and sophisticated imagination that they will ...