This book examines Afrofuturism in African American art, focusing specifically on images of black women and how those images expand the discourse of representation in visual culture of the United States. This volume defines a visual language of Afrofuturism that includes materiality, temporality, and black liberation. Elizabeth Hamilton discusses the visual progenitors of Afrofuturism. In the artworks of Pierre Bennu, Sanford Biggers, Alison Saar, Mequitta Ahuja, Robert Pruitt, Renee Cox, Dawolu Jabari Anderson, Alma Thomas, and Harriet Powers, the fantastic narratives of Afrofuturism are uncovered through in-depth case studies. These case studies engage with Afrofuturism as a black feminist visual theory that helps to unburden the images of black women from the stereotypical visual scripts that are so common in contemporary visual culture of the United States. The book will be of interest to scholars working in art history, visual studies, American literature, gender studies, popular culture, and African American studies.
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This volume presents selections from the highly-respected Cosby collection of African American art. Their introductions elaborate on their strong belief that African American families should themselves seek to preserve their...
John Wilson: A Retrospective : an Exhibition
The gala atmosphere of Harlem's night life was immortalized in such popular songs as "Stompin' at the Savoy" and "This Joint Is JLumpin'," and its Figure 4.3 Josephine Baker in Figure 4.4 Laura Wheeler Waring jazz Dancer! (Study), c.
Whitfield Lovell: All Things in Time
John Wilson b . 1922 Painter , printmaker , illustrator , educator . Born in Boston , Massachusetts . Studied at the School of the Museum of Fine Arts , Boston , 1944 ; Tufts University , Medford , 1947 ; The Fernand Leger School ...
In How to See a Work of Art in Total Darkness, Darby English shows how severely such expectations limit the scope of our knowledge about this work and how different it looks when approached on its own terms.
250 Years of Afro-American Art: An Annotated Bibliography
Catalog for the exhibition of Hank Willis Thomas' work entitled OPP: Other People's Property curated by Kalia Brooks for the Cantor Fitzgerald Gallery at Haverford College, January 25 - March 8, 2012