This book discusses sex and death in the eighteenth-century, an era that among other forms produced the Gothic novel, commencing the prolific examination of the century's shifting attitudes toward death and uncovering literary moments in which sexuality and death often conjoined. By bringing together various viewpoints and historical relations, the volume contributes to an emerging field of study and provides new perspectives on the ways in which the century approached an increasingly modern sense of sexuality and mortality. It not only provides part of the needed discussion of the relationship between sex, death, history, and eighteenth-century culture, but is a forum in which the ideas of several well-respected critics converge, producing a breadth of knowledge and a diversity of perspectives and methodologies previously unseen. As the contributors demonstrate, eighteenth-century anxieties over mortality, the body, the soul, and the corpse inspired many writers of the time to both implicitly and explicitly embed mortality and sexuality within their works. By depicting the necrophilic tendencies of libertines and rapacious villains, the fetishizing of death and mourning by virtuous heroines, or the fantasy of preserving the body, these authors demonstrate not only the tragic results of sexual play, but the persistent fantasy of necro-erotica. This book shows that within the eighteenth-century culture of profound modern change, underworkings of death and mourning are often eroticized; that sex is often equated with death (as punishment, or loss of the self); and that the sex-death dialectic lies at the discursive center of normative conceptions of gender, desire, and social power.
2 (2000): 1–21 and Melinda Alliker Rabb, Satire and Secrecy in English Literature from 1650 to 1750 (New York: Palgrave Macmillan, 2007). For discussions of Manley's specific satirical targets see chapter seven in Rachel Carnell, ...
See A. Phillips (1993) On Kissing, Tickling and Being Bored: Psychoanalytic Essays on the Unexamined Life (London: ... Monster: Modernity and Boredom', in B. D. Pezze and C. Salzani (eds) Essays on Boredom and Modernity (Amsterdam and ...
The Thrill of Human Remains in the Eighteenth-Century Novel Yael Shapira. 44. 45. 46. 47. ... Dusan Boric and John Robb (Oxford: Oxbow Books, 2008), 69–78. ... Sex and Death in Eighteenth-Century Literature (New York: Routledge, 2013).
This book asks why Brontë, Dickens, and Collins saw the narrative act as a series of textual murders and resurrections?
This first critical collection on Delarivier Manley revisits the most heated discussions, adds new perspectives in light of growing awareness of Manley’s multifaceted contributions to eighteenth-century literature, and demonstrates the ...
By grouping the essays under the aegis of sexuality and morality, the volume allows the authors to explore the most important aspects of the works they discuss.
Beginning with a survey of the recurrent topics in utopian writing - power structures in the state, money, food, sex, the role of women, birth, education and death - the text aims to bring together canonical 18th-century texts containing ...
Aimed at anyone interested in gender, history of sexuality, sex, literature and 18th-century history, Amatory Pleasures is an invaluable collection of the work of a key scholar in the field.
between the sexed self and its sexual object choices (bisexuality, lesbianism, male homoeroticism), but upon any betrayal of instability in our sexed embodiment or sexual orientation over time—as if, once a sex, we are always that sex, ...
A new collection of essays on literature and sexuality by one of the wittiest and most iconoclastic critics writing today.