The correspondence between one of the most famous couples of twentieth-century literature The Dolphin Letters offers an unprecedented portrait of Robert Lowell and Elizabeth Hardwick during the last seven years of Lowell’s life (1970 to 1977), a time of personal crisis and creative innovation for both writers. Centered on the letters they exchanged with each other and with other members of their circle—writers, intellectuals, friends, and publishers, including Elizabeth Bishop, Caroline Blackwood, Mary McCarthy, and Adrienne Rich—the book has the narrative sweep of a novel, telling the story of the dramatic breakup of their twenty-one-year marriage and their extraordinary, but late, reconciliation. Lowell’s controversial sonnet-sequence The Dolphin (for which he used Hardwick’s letters as a source) and his last book, Day by Day, were written during this period, as were Hardwick’s influential books Seduction and Betrayal: Essays on Women in Literature and Sleepless Nights: A Novel. Lowell and Hardwick are acutely intelligent observers of marriages, children, and friends, and of the feelings that their personal crises gave rise to. The Dolphin Letters, masterfully edited by Saskia Hamilton, is a debate about the limits of art—what occasions a work of art, what moral and artistic license artists have to make use of their lives as material, what formal innovations such debates give rise to. The crisis of Lowell’s The Dolphin was profoundly affecting to everyone surrounding him, and Bishop’s warning to Lowell—“art just isn’t worth that much”—haunts.
The Dolphin Letters offers an unprecedented portrait of Robert Lowell and Elizabeth Hardwick during the last seven years of Lowell's life (1970 to 1977), a time of personal crisis and...
Evelyn, John (1620–1706), British diarist F Fabiani, Mario (1912–74), mayor of Florence (1946–51) Farley, ... U.S. ambassador to Japan (1930–32) Ford, Ford Madox (1873–1939), British writer Ford, Gerald Rudolph (1913–2006), ...
I have sat and listened to too many words of the collaborating muse, and plotted perhaps too freely with my life, not avoiding injury to others, not avoiding injury to myself— to ask compassion . . . this book, half fiction, an eelnet ...
61 61 Merrill Moore, M.D., March 25, 1937, Merrill Moore, M.D., files, Robert Lowell Papers, HRC. “she came to”: Letter from Merrill Moore, M.D., to Donald Macpherson, M.D., March 23, 1937, Merrill Moore, M.D., files, Robert Lowell ...
These letters document the evolution of Lowell's work and illuminate another side of his life: his deep friendships with other writers, his manic depression, his marriages to three prose writers, and his involvement with the antiwar ...
43 British biographer Hermione Lee pinpointed the “idiosyncratic” quality of Elizabeth's voice: it was “at once austere and impassioned”—the latter stemming from the “morally strenuous” quality of her writing. 44 In Lee's view, ...
She herself died of cancer on Valentine's Day 1996, at the age of sixty-four. Dangerous Muse is the first biography of Lady Caroline Blackwood.
Life Isn't Everything is a mosaic portrait of a brilliant and original director known for his uncommon charm, wit, vitality, and genius for friendship, this volume is also a snapshot of what it meant to be living, loving, and making art in ...
The Uncollected Essays of Elizabeth Hardwick is a companion collection to The Collected Essays, a book that proved a revelation of what, for many, had been an open secret: that Elizabeth Hardwick was one of the great American literary ...
Robert Lowell, with Elizabeth Bishop, stands apart as the greatest American poet of the latter half of the twentieth century—and Life Studies and For the Union Dead stand as among his most important volumes.