A collection of essays by the late cultural critic explores great works of music and literature produced by Beethoven, Schoenberg, Mann, Cavafy, Beckett, Gould, Straus, Genet, and others at the end of their creative lives, analyzing how these works differed from previous ones and what they reveal about each musician's or writer's artistic evolution. 15,000 first printing.
But rossini moves beyond the sign: he works out the principal melody of his Petite Caprice so that it must be played precisely by those fingers, 2 and 5, and he writes clearly and precisely how he intends the melody to be fingered (see ...
Historically, these works are seen as forging a bridge between the Classical and Romantic traditions: in terms of their musical structure, they continue to be regarded as revolutionary.
Cited in Roger Nichols, ed., Debussy Remembered (London: Faber and Faber, 1992), 7. 19. John R. Clevenger, “Debussy's Paris Conservatoire Training,” in Debussy and His World, ed. Jane F. Fulcher (Princeton: Princeton University Press, ...
This collection begins with two premises: that our understanding of the nature and forms of creativity in later life remains limited and that dialogue between specialists in gerontology, the arts and humanities can produce the crucial new ...
For a fuller discussion of genre theory in the context of Italian opera, see James Hepokoski, “Genre and Content in Mid-Century Verdi: 'Addio, ... Wulf Arlt, Ernst Lichtenhahn, and Hans Oesch (Bern: Francke, 1973), 840–95.
Few would disagree that the decisive institutionalisation of postcolonial studies within this period corresponded with the “high phase” of postcolonial theory, so much so that until recently, the field was nearly synonymous with the ...
Introduction: Recalling Emerson -- Emerson's memory loss -- Knowing by heart -- Streams of thought -- Coda: Inside information
... Disaster and Disgrace in Late Victorian Britain Nicholas Freeman Determined Spirits: Eugenics, Heredity and Racial Regeneration in Anglo- American Spiritualist Writing, 1848–1930 Christine Ferguson Dickens's London: Perception, ...
A thematic exploration of Schubert's style, applied in readings of his instrumental and vocal literature by international scholars.
This is a book of surprises by an author whose combination of breadth of thought, imaginativeness, aesthetic sensitivity, and learning is really wonderful.—Joseph Kerman, author, with Alan Tyson, of The New Grove Beethoven