He was the consummate designer of film architecture on a grand scale. He was known for his visual flair and timeless innovation, a man who meticulously preplanned the color and design of each film through a series of continuity sketches that made clear camera angles, lighting, and the actors' positions for each scene, translating dramatic conventions of the stage to the new capabilities of film. Here is the long-awaited book on William Cameron Menzies, Hollywood's first and greatest production designer, a job title David O. Selznick invented for Menzies' extraordinary, all-encompassing, Academy Award-winning work on Gone With the Wind (which he effectively co-directed). It was Menzies--winner of the first-ever Academy Award for Art Direction, and who was as well a director (fourteen pictures) and a producer (twelve pictures)--who changed the way movies were (and still are) made, in a career that spanned four decades, from the 1920s through the 1950s. Now, James Curtis, acclaimed film historian and biographer, writes of Menzies' life and work as the most influential designer in the history of film. Interviewing colleagues, actors, directors, friends, and family, and with full access to the Menzies family collection of artwork and unpublished writing, Curtis gives us the path-finding work of the movies' most daring and dynamic production designer: his evolution as artist, art director, production designer, and director. Here is a portrait of a man in his time that makes clear how the movies were forever transformed by his startling, visionary work.--Adapted from book jacket.
Away from Louise and Johnny, Tracy recalled his days at Norfolk and behaved much as his character Wilkie would have under similar circumstances. “It was just the role he was playing,” said Callow. “You know, he was drinking pretty ...
From a movie-going experience that would incorporate all five senses to the tale of a woman's hapless love affair with a wheelbarrow, Dali's hallucinatory vision never fails to leave its indelible mark.
Kiss Me, Stupid, Twice; Kiss Me Once and Kiss Me Twice and Kiss Me Once Again.” The uproar his film caused seems quaint in retrospect, for it appeared just before the dam broke for sexual license in American film in the late 1960s.
Cohen Film Collection
A compilation of the renowned producer's memos, letters, and telegrams provides insight into his personality as well as his dominant role in fashioning the motion-picture industry.
Yet he was also a satirist so savage the editors of Time once dubbed him "Will Rogers with fangs." Here, for the first time, is the whole story of Mort Sahl, America's iconoclastic father of modern standup comedy.
This volume is an invaluable guide to key directors and works of cinema as well as an excellent introduction to auteur theory.
Originally published: [Boston, Mass.]: Faber and Faber, 1998.
Gone with the Wind has generated interest in every aspect of its production. Yet one crucial aspect has never been fully understood or appreciated—the vital shaping role played by executive...
A groundbreaking approach to sound in sci-fi films offers new ways of construing both sonic innovation and science fiction cinema Including original readings of classics like The Day the Earth Stood Still, 2001: A Space Odyssey, Star Wars, ...