David O. Selznick, the legendary producer and maker of Gone With the Wind, is brilliantly portrayed in this full-scale biography by the first writer to be given complete access to Selznick's voluminous and revealing papers - everything from script notes, production reports, and contract memos, to letters rich in intrigue, gambling accounts, and financial records. No other Hollywood giant ever had so much to say; no other was brave and reckless enough to leave so much on the record. Selznick was the most charming, best-read, most insanely workaholic (and most easily diverted), most talented, arrogant, hopeful, amorous, insecure, and self-destructive of all the geniuses of American moviemaking. His story is the history of the picture business, from immigrant nerve to cafe society. It is, as well, the story of the chronic romantic who married first the princess of the kingdom (Irene, daughter of Louis B. Mayer) and then a young beauty - Jennifer Jones - whom he made a princess. Around him was a cast of vivid supporting players: his father, Lewis J., who made and lost fortunes in silent films; his two brothers - Myron, a pioneering (and boozing) agent, and Howard, whose mental condition overshadowed the rest of the family; Irene, David's scourge and his last comfort, as well as the person who taught him about power in Hollywood; Jock Whitney, fabulously rich, a great friend to David, and crazy about the movies; George Cukor; Alfred Hitchcock; Orson Welles; Vivien Leigh; Alexander Korda; William Paley; Ben Hecht; and John Huston. We see Selznick making such films as What Price Hollywood?, King Kong, David Copperfield, A Star is Born, Rebecca, Since You Went Away, Spellbound, Duel in the Sun, Portrait of Jennie, The Third Man, and A Farewell to Arms. And we are given the fullest possible account of the chaos, good fortune, folly, and glory of the making of Gone With the Wind. This superb biography uncovers the private lives and business maneuverings of Hollywood as no other book has done. It chronicles the Golden Age as seen from deep inside the gold mine and from behind locked doors where the spoils were divided, filched, or gambled away. In its rich sense of the wonders, ironies, and delusions inherent in "showmanship," this is a book about America in this century, turning from reality toward the glamour, the legend - the fantasy - of the movies.
The Memoirs of Lieut. Henry Timberlake
Dr. Williams discusses his own work and that of such contemporaries as Pound and Eliot and reveals his thoughts on a wide variety of twentieth-century concerns
巴菲特畢生唯一授權傳記 全球首富與世人分享最慷慨的資產 除了股票,巴菲特更教你投資自己 |最新增訂版|新增第63章危機、第64章雪球 ...
本書內容分三部分:一為葉君健所寫評論安徒生其人其文的文章;二為安徒生所寫小故事;三為安徒生繪圖作品
276-9 , 403-3 ) ; William Richard Cutter , Genealogical and Personal Memoirs relating to the Families of Boston and Eastern Massachusetts ( N.Y. , 1908 ) , II , pp . 867-69 ; William Bentley , The Diary of William Bentley ...
Twelve Years a Slave: Narrative of a Citizen of New-york, Kidnapped in Washington City in 1841, and Rescued in 1853,...
Behind the Scenes. by Elizabeth Keckley. Or, Thirty Years a Slave, and Four Years in the White House.
Personal Memoir of Daniel Drayton: For Four Years and Four Months a Prisoner (For Charity's Sake) in Washington Jail
When the Press folded after eighteen months , Cooper went to the Indianapolis Sun , as a police reporter . In 1901 he became Scripps - McRae's Indianapolis correspondent and then manager of the Indianapolis bureau , supplying news to a ...
Give Us Each Day: The Diary