The authors correct eurocentric criticism from media studies in the past by examining Hollywood movie genres such as the western and the musical from a multicultural perspective.
Challenges orthodox readings of Greek history centred on the polis and proposes a broader approach.
Muneer Ahmad, Meena Alexander, Lopamudra Basu, Judith Butler, Zillah Eisenstein, Stefano Harney, Randy Martin, Rosalind C. Morris, Fred Moten, Sandrine Nicoletta, Yigal Nizri, Jasbir K. Puar, Amit S. Rai, Ella Shohat, Ban Wang "Ella Shohat ...
The difficulties of filming in real battles also led to many " reconstructions " of famous events , most notoriously Albert E. Smith and J. Stuart Blackton's reconstruction of the battle of Santiago Bay in New York , using a tub of ...
Culture Wars Around the Postcolonial Atlantic Robert Stam, Ella Shohat. Vietnam, 136–137 Vigoureux, Elsa, 147 Vila, Martinho da, 194 Vila Isabel, 178 Villa-Lobos, Heitor, 194 Vitoria, Francísco de, 7 Viveiros de Castro, Eduardo, 13, ...
In this bold new work, Ella Shohat and Robert Stam take apart the "hate discourse" of right-wing politics, placing it in an international context.
Unthinking Eurocentrism: Towards a Multi-cultural Film Theory
from 1989 to 1992 and then of the Czech Republic from 1993 to 2003. ... And in 1990, Central and Eastern Europe, or at least the Visegrad countries (Czech Republic, Hungary, ... On Havel, see also McCormick, Europeanism, p. 6.
Willems, E. ( 1 967) Followers of the New Faith: Cultural Change and the Rise of Protestantism in Brazil and Chile. ... Women and Geography Study Group (WGSG) (1996) Feminist Geographies, London: Hutchinson. Wright, W. (1990) Cafe con ...
Simultaneously a history of Brazilian cinema from the standpoint of race, a history of Brazil itself through its cinematic representations, a comparative study of racial formation in Brazil and the US and a theorized analysis of racialized ...
What happens when white people look at non-whites? What happens when the gaze is returned? Looking for the Other responds to criticisms leveled at white feminist film theory of the 1970s and 1980s for its neglect of issues to do with race.