Historic sites, memorials, national parks, museumsewe live in an age in which heritage is ever-present. But what does it mean to live amongst the spectral traces of the past, the heterogeneous piling up of historic materials in the present? How did heritage grow from the concern of a handful of enthusiasts and specialists in one part of the world to something which is considered to be universally cherished? And what concepts and approaches are necessary to understanding this global obsession? Over the decades, since the adoption of the World Heritage Convention, various e~crisese(tm) of definition have significantly influenced the ways in which heritage is classified, perceived and managed in contemporary global societies. Taking an interdisciplinary approach to the many tangible and intangible e~thingse(tm) now defined as heritage, this book attempts simultaneously to account for this global phenomenon and the industry which has grown up around it, as well as to develop a e~toolkit of conceptse(tm) with which it might be studied. In doing so, it provides a critical account of the emergence of heritage studies as an interdisciplinary field of academic study. This is presented as part of a broader examination of the function of heritage in late modern societies, with a particular focus on the changes which have resulted from the globalisation of heritage during the late twentieth and early twenty-first centuries. Developing new theoretical approaches and innovative models for more dialogically democratic heritage decision making processes, Heritage: Critical Approaches unravels the relationship between heritage and the experience of late modernity, whilst reorienting heritage so that it might be more productively connected with other pressing social, economic, political and environmental issues of our time.
Contemplating the artwork allows more information and energy to be transmitted that goes beyond the text for each card. The art works deeply with the subconscious and adds a powerful dimension to the user's inner work with the cards.
Hear the voices of women of color on the most important subject in any age--the word of God. This inspiring collection of devotions is by a diverse group of women of color--African-American, Hispanic, Caribbean, and Asian women.
With a detailed look at grammar, style, diction, word formation, gender, social groups and scientific forms, this valuable reference work is ideal for students, writers, academicians and anybody concerned about proper writing style.
Beloved author Joan Hinds delivers clear instructions and detailed illustrations making these outfits easy to sew. Using and reusing the designs is simple with a CD-ROM of printable patterns.
The Heritage is the story of the rise, fall, and fervent return of the athlete-activist.
Nothing goes right on Heritage.
Examines the history of preservation attempts in San Antonio, Texas, over the course of more than a century, and includes a chronology and bibliography.
Something of a cultural heritage designation craze is happening in China. This is new within even the last five to ten years. Officials at many levels now see heritage preservation as a means for commoditizing their regions.
This book addresses artists' rights (freedom of expression, copyright, and moral rights), the functioning of the art market (dealers and auction houses, warranties of quality and authenticity, transfer of title and recovery of stolen art ...
These are the voices that shaped our history. They are powerful,moving, and, above all else, uniquely American. The history of the United States has been characterized by fervent idealism, intense struggle, and radical change.